Du split-screen au multi-screen-- From split-screen to multi-screen
Language: English
Published by Peter Lang Okt 2010, 2010
- Softcover
- New
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermanyBuchWeltWeit Ludwig Meier e.K.
AbeBooks seller since January 11, 2012
Condition: New
£ 92.22
Quantity: 2 available
Add to basketItem description from seller
This item is printed on demand - it takes 3-4 days longer - Neuware -Selon la perspective suivie dans cet ouvrage, le spectateur est actuellement en train d'acquérir de nouvelles capacités de suivi et d'absorption de l'image en mouvement. Depuis une quinzaine d'années, les créateurs de l'iconosphère avancent sur le chemin de la complexification et de la multiplication des moyens narratifs visuels. Cette démarche est préparée non seulement par des expérimentations artistiques historiques mais avant tout par l'accoutumance des populations urbanisées à l'immersion dans l'iconographie dynamique, par la prolifération des sources d'information imagée, par les pratiques interactives tels le zapping télévisuel, la consultation d'Internet, l'imagerie de la téléphonie mobile, ainsi que par la médiatisation iconique de la conduite de véhicules et d'engins. Ces nouvelles manières de consommer l'image et le son dynamisent les nouvelles créations multi-supports et feront bientôt disparaître la salle obscure à projection plate et unique ainsi que les appareils mono-écraniques.Nous proposons dans cet ouvrage une étude bilingue franco-anglaise quasi-exhaustive du phénomène, ancrée dans l'épistémologie des sciences cognitives, apportant des éclaircissements théoriques conjugués aux analyses des oeuvres récentes et anciennes, et étayée par les considérations et les témoignages d'artistes.According to this study, the spectator is currently acquiring new capacities to follow and to assimilate the moving image. In the last fifteen years, designers in the iconosphere have continued to make progress with the development and expansion of the media of visual narration. This advance is not only the result of past artistic experiments, but is above all rooted in such phenomena as the adaptation of urban populations to dynamic iconography, the proliferation of visual information, the emergence of interactive practices, such as channel surfing, the Internet search, mobile phone interfaces, as well as the visual interfaces for operating vehicles and other machines. These new ways of consuming images and sounds have fueled an expansion of new multi-screen designs that will gradually make the dark theater projection and the single-screen device obsolete.This bilingual French-English study offers a semi-comprehensive investigation of these phenomena, anchored in the epistemology of cognitive science, providing theoretical explanations combined with analyses of recent and historical works and accompanied by the reflections and testimonies of artists. 334 pp. Englisch, Französisch.…
Seller Inventory # 9783034303255
- Title
- Du split-screen au multi-screen-- From split-screen to multi-screen
- Author
- Céline Masoni Lacroix
- Publisher
- Peter Lang Okt 2010
- Publication year
- 2010
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 3034303254
- ISBN 13
- 9783034303255
- Item weight
- 486 grams
- Dimensions
- 225x155x19 mm
Nous proposons dans cet ouvrage une étude bilingue franco-anglaise quasi-exhaustive du phénomène, ancrée dans l’épistémologie des sciences cognitives, apportant des éclaircissements théoriques conjugués aux analyses des œuvres récentes et anciennes, et étayée par les considérations et les témoignages d’artistes.
According to this study, the spectator is currently acquiring new capacities to follow and to assimilate the moving image. In the last fifteen years, designers in the iconosphere have continued to make progress with the development and expansion of the media of visual narration. This advance is not only the result of past artistic experiments, but is above all rooted in such phenomena as the adaptation of urban populations to dynamic iconography, the proliferation of visual information, the emergence of interactive practices, such as channel surfing, the Internet search, mobile phone interfaces, as well as the visual interfaces for operating vehicles and other machines. These new ways of consuming images and sounds have fueled an expansion of new multi-screen designs that will gradually make the dark theater projection and the single-screen device obsolete.
This bilingual French-English study offers a semi-comprehensive investigation of these phenomena, anchored in the epistemology of cognitive science, providing theoretical explanations combined with analyses of recent and historical works and accompanied by the reflections and testimonies of artists.
"Synopsis" may belong to another edition of this title.
About the Author
Céline Masoni Lacroix, docteur en philosophie, a étudié l’esthétique avant d’effectuer un « tournant » culturel vers les sciences de l’information et de la communication. Maître de Conférences à l’Université de Nice Sophia-Antipolis, elle effectue ses recherches au sein du Laboratoire I3M.
Marcin Sobieszczanski worked at the Western Catholic University in Angers, at the University of Rouen, in Doctoral Studies of Arts and Practical Arts at the University of Québec in Montréal and at the University of New Sorbonne Paris 3. A researcher in the Laboratory I3M (Information, Environments, Media, Mediations), he currently teaches in the Department of Communication Sciences at the University of Nice Sophia-Antipolis.
Céline Masoni Lacroix, doctor of philosophy, studied aesthetics before turning her interests to the sciences of information and communication. Senior Lecturer in Communication Sciences at the University of Nice Sophia-Antipolis, she performs her research at the Laboratory I3M.
"About the title" may belong to another edition of this title.
BuchWeltWeit Ludwig Meier e.K.
Bergisch Gladbach, Germany
AbeBooks seller since January 11, 2012
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