Neal Stephenson is one of America's most collectible authors. The ever-growing number of his devoted readers has created a huge demand for signed and first trade editions of his works.
With Quicksilver: The Deluxe Limited Edition, William Morrow presents the first limited edition ever published of Neal Stephenson's work. Limited to a single edition of just 1,000 copies, the book is a beautifully designed example of the art of bookbinding. Each volume will be numbered and signed by Neal Stephenson. Collectors and readers alike will welcome the chance to add this handsome volume to their Neal Stephenson collection.
- Limited to an edition of 1,000 copies-never to be reprinted.
- Completely redesigned from the trade hardcover in a larger format-7" x 10".
- Each book numbered and signed by the author.
- Each volume hand-bound in Japanese silk.
- Each volume housed in a handsome slipcase featuring a die-cut aperture for the Quicksilver icon and covered in the same Japanese silk. The slipcase will also feature a silk ribbon pull for easy removal.
- Matching signed limited editions of the second and third volumes of Stephenson's Baroque Cycle will be published by William Morrow at six-month intervals.
Quicksilver is a massive, exuberant and wildly ambitious historical novel that's also Neal Stephenson's eagerly awaited prequel to
Cryptonomicon--his pyrotechnic reworking of the 20th century, from World War II codebreaking and disinformation to the latest issues of Internet data privacy.
Quicksilver, "Volume One of the Baroque Cycle", backtracks to another time of high intellectual ferment: the late 17th century, with the natural philosophers of England's newly formed Royal Society questioning the universe and dissecting everything that moves. One founding member, the Rev John Wilkins, really did write science fiction and a book on cryptography--but this isn't history as we know it, for here his code book is called not Mercury but Cryptonomicon. And although the key political schemers of Charles II's government still have initials spelling the word CABAL, their names are all different...
While towering geniuses like Newton and Leibniz decode nature itself, bizarre adventures (merely beginning with the Great Plague and Great Fire) happen to the fictional Royal Society member Daniel Waterhouse, who knows everyone but isn't quite bright enough for cutting-edge science. Two generations of Daniel's family appear in Cryptonomicon, as does a descendant of the Shaftoes who here are soldiers and vagabonds. Other links include the island realm of Qwghlm with its impossible language and the mysterious, seemingly ageless alchemist Enoch Root.
As the reign of Charles II gives way to that of James II and then William of Orange, Stephenson traces the complex lines of finance and power that form the 17th-century Internet. Gold and silver, lead and (repeatedly) mercury or quicksilver flow in glittering patterns between centres of marketing and intrigue in England, Germany, France and Holland. Paper flows as well: stocks, shares, scams and letters holding layers of concealed code messages. Binary code? Yes, even that had already been invented and described by Francis Bacon.
Quicksilver is crammed with unexpected incidents, fascinating digressions and deep-laid plots. Who'd believe that Eliza, a Qwghlmian slave girl liberated from a Turkish harem by mad Jack Shaftoe (King of the Vagabonds) could become a major player in European finance and politics? Still less believable, but all too historically authentic, are the appalling medical procedures of the time--about which we learn a lot. There are frequent passages of high comedy, like the lengthy description of a foppish earl's costume which memorably explains that someone seemed to have been painted in glue before "shaking and rolling him in a bin containing thousands of black silk doilies".
This is a huge, exhausting read, full of rewards and quirky insights that no other author could have created. Fantastic or farcical episodes sometimes clash strangely with the deep cruelty and suffering of 17th-century realism. Recommended, though not to the faint-hearted. --David Langford
