Creating Minds; An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi

Name: Creating Minds; An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi
Rating: 3.92 (619 reviews)
Author: Gardner, Howard
ISBN: 9780465014552

Gardner, Howard

619 ratings by Goodreads

Language: English

Published by BasicBooks, New York, 1993

0465014550 / 9780465014552

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xvi, 464 pages. Notes. Bibliography. Name Index. Subject Index. Inscribed by author on fep. DJ has a tear and creasing at top of rear flap. Howard Earl Gardner (born July 11, 1943) is an American developmental psychologist and John H. and Elisabeth A. Hobbs Professor of Cognition and Education at the Harvard Graduate School of Education at Harvard University. He is currently the senior director of Harvard Project Zero, and since 1995, he has been the co-director of The Good Project. Gardner has written hundreds of research articles and thirty books that have been translated into more than thirty languages. He is best known for his theory of multiple intelligences, as outlined in his 1983 book Frames of Mind: The Theory of Multiple Intelligences. Derived from a Kirkus review: It takes chutzpah to come up with a scheme for analyzing creativity--especially in subjects already exhaustively examined. But for psychologist and MacArthur fellow Gardner, it amounts to a natural progression from his earlier dissections of intelligence. Gardner chooses prototypes of each variety and provides capsule biographies and analyses along such themes as the child versus the adult creator, and the creator in relation to others and to the work. Gardner finds sufficient commonalities among his seven types of intelligence to provide a synthesis: an ``exemplary creator'' (E.C.). This individual is somewhat ``marginal'' in the social milieu, born into a reasonably comfortable family away from the creative center. E.C. moves into a decade of mastery of the domain and accomplishes a critical breakthrough that may include the affirmation of a few chosen peers. Second and third breakthroughs may develop in successive decades until old age takes its toll. One has to hand it to Gardner for offering some provocative post-Eriksonian thoughts on creativity that are stimulating.

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Title: Creating Minds; An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi
Author: Gardner, Howard
Publisher: BasicBooks, New York
Publication year: 1993
Condition: Very good
Dust jacket: Good
Signed: Signed by Author(s)
Binding: Hardcover
Language: English
ISBN 10: 0465014550
ISBN 13: 9780465014552
Illustrator: Cynthia Dunne (Jacket Design)
Edition: Fourth Printing [stated].

The man who revolutionized our understanding of intelligence now gives us a pathbreaking view of creativity, along with riveting portraits of seven figures who each reinvented an area of human endeavor. Understanding their diverse achievements not only sheds light on the nature of creativity but also elucidates the modern erathe times that formed them and that they in turn helped to define. Howard Gardner changed the way we think about intelligence. In his classic work Frames of Mind , he undermined the common notion that intelligence is a single capacity that every human being possesses to a greater or lesser extent. Now building on the framework he developed for understanding intelligence, Gardner gives us a path breaking view of creativity, along with riveting portraits of seven figures who each reinvented an area of human endeavor. Using as a point of departure his concept of seven intelligences, ranging from musical intelligence to the intelligence involved in understanding oneself, Gardner examines seven extraordinary individualsSigmund Freud, Albert Einstein, Pablo Picasso, Igor Stravinsky, T. S. Eliot, Martha Graham, and Mahatma Gandhieach an outstanding exemplar of one kind of intelligence. Understanding the nature of their disparate creative breakthroughs not only sheds light on their achievements but also helps to elucidate the modern erathe times that formed these creators and which they in turn helped to define. While focusing on the moment of each creators most significant breakthrough, Gardner discovers patterns crucial to our understanding of the creative process. Not surprisingly, Gardner believes that a single variety of creativity is a myth. But he supplies evidence that certain personality configurations and needs characterize creative individuals in our time, and that numerous commonalities color the ways in which ideas are conceived, articulated, and disseminated to the public. He notes, for example, that it almost invariably takes ten years to make the initial creative breakthrough and another ten years for subsequent breakthroughs. Creative people feature unusual combinations of intelligence and personality, and Gardner delineates the indispensable role of the circumstances in which an individual works and the crucial reactions of the surrounding group of informed peers. He finds that an essential element of the creative process is the support of caring individuals who believe in the revolutionary ideas of the creators. And he documents the fact that extraordinary creativity almost always carries with it extraordinary costs in human terms.

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Creating Minds; An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi

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