The memoirs of Amtrack brakeman/conductor, Linda Niemann.
Ma[kes] the railroad experience come alive with all its grit, danger, romance, and general outrageousness.... Possibly the finest book I've ever read about the actual experience of working on the railroad.--Kevin Keefe "Trains Magazine "
A candid, unsentimental, and un-sensationalized account of a woman's exploration into the diversity of her complex nature--sexual, intellectual, spiritual.--Martha Banta, University of California, Los Angeles
As a bisexual, counter-cultural-type intellectual, she doesn't truly fit in any place, and she 'can't go home again'; but her marginality and her openness give her a privileged perspective from which to view the strange workings of class and sexual politics in America.--Bella Brodski, Sarah Lawrence College
Beyond the tracks, Niemann paints incandescent American landscapes. Inside the trains, and inside the 'rails, ' beds, and bars, Niemann paints innerscapes of anguish, exhaustion, and razor-edged humor from which no light escapes. No light except the author's brilliance.--Helene Moglen, University of California, Santa Cruz
"Boomer is a fascinating mix of fact, history, self-confession, self-accusation, and self-forgiveness a diary of both emotional relationships and travel." Pasatiempo"
"Beyond the tracks, Niemann paints incandescent American landscapes. Inside the trains, and inside the 'rails, ' beds, and bars, Niemann paints innerscapes of anguish, exhaustion, and razor-edged humor from which no light escapes. No light except the author's brilliance." Helene Moglen, University of California, Santa Cruz"
"Niemann has a taut, lyrically restrained but vividly descriptive style, with an observational vigilance befitting a brakeman's mindset, and her narrative clips along like a boxcar rolling through the yard." Bloom Magazine, June/July 2011"
"Ma[kes] the railroad experience come alive with all its grit, danger, romance, and general outrageousness.... Possibly the finest book I ve ever read about the actual experience of working on the railroad." Kevin Keefe, Trains Magazine"
"A candid, unsentimental, and un-sensationalized account of a woman's exploration into the diversity of her complex nature sexual, intellectual, spiritual." Martha Banta, University of California, Los Angeles"
"As a bisexual, counter-cultural-type intellectual, she doesn't truly fit in any place, and she 'can't go home again'; but her marginality and her openness give her a privileged perspective from which to view the strange workings of class and sexual politics in America." Bella Brodski, Sarah Lawrence College"