Bibliography of Samuel Johnson, A.

"The True Art of Memory is the Art of Attention" (Samuel Johnson) A Superb Cosway Binding with a Remarkable Portrait by Miss C.B. Currie of Dr. Samuel Johnson COSWAY BINDING. RIVIÈRE & SON, binders. [MISS C.B. CURRIE], miniaturist. A Bibliography of Samuel Johnson by William Prideaux Courtney and David Nichol Smith. A Reissue of the Edition of 1915 Illustrated with Facsimiles. Oxford at the Clarendon Press, 1925. Limited to 350 copies. Octavo (8 3/4 x 5 1/2 inches; 223 x 140 mm.). [i]-viii, [1]-186 pp. Thirty-seven facsimile plates. Limitation statement at front "This is No. 926 of the Cosway Bindings invented by J. H. Stonehouse, with Miniatures on Ivory by Miss Currie. Signed (in black ink) 'J.H. Stonehouse' Inventor. 'C.B. Currie' Artist." Bound by Rivière & Son in full dark green crushed levant morocco. Covers with gilt double-rule border, the front cover, with a superb large rectangular portrait miniature set under beveled glass (measuring 4 7/8 x 3 7/8 inches; 123 x 98 mm.) of a mature Dr. Samuel Johnson [after Sir Joshua Reynolds] by Miss C.B. Currie within an elaborate gilt foliate frame. Rear cover with gilt double-rule border and large decorative gilt foliate corner pieces. Spine with five raised bands elaborately tooled and lettered in gilt in compartments. Double gilt-ruled board edges, decorative gilt turn-ins, green moiré silk liners and endleaves, top edge gilt, others uncut. Stamp-signed by the binders on front turn-in: "Bound by Rivière & Son, London." Stamped-signed by the artist on rear liner: Miniatures by C.B. Currie." Additionally signed on the upper and lower board edges: "Cosway Binding" and "Invented by J.H. Stonehouse." An exceptionally handsome and remarkably well-preserved Cosway binding, distinguished by one of Miss C.B. Currie's finest portrait miniatures, depicting Dr. Samuel Johnson after Sir Joshua Reynolds. Housed in a felt-lined green cloth clamshell case, spine with leather label, lettered in gilt. The unusually large miniature is particularly appropriate for what remains one of the standard bibliographies of Johnson, transforming an important work of scholarship into a fitting tribute to England's greatest man of letters. Cosway Bindings: In the first decade of the twentieth century, the London bookselling firm of Henry Sotheran & Co., introduced a type of binding that was decorative, had historic associations, and catered to the level of quality expected by connoisseurs at the time. Between 1902 and 1903, John Harrison Stonehouse (1864-1937), managing director of Sotheran's, created what came to be referred to as "Cosway bindings." These were named after the celebrated eighteenth-century English portrait miniaturist Richard Cosway (1742-1821). Cosway bindings are distinguished by their attractive, finely painted miniatures that are protected by glass and inset into the covers or doublures (inside covers) of elegantly tooled books. Stonehouse's success with the bindings was due in part to his employment of skilled miniaturist, Miss C. B. Currie. It has been estimated that Miss Currie painted several thousand miniatures, recognized for their delicate rendering and precision, for over nine hundred bindings before her death circa 1940. For many of the more lavish Cosway bindings, Currie painted multiple portraits. Occasionally, landscapes and other subjects adorn the covers or doublures. To enhance Currie's miniatures, Stonehouse arranged for the London firm of Rivière & Son to produce a variety of high-quality single-volume bindings. One of the best large-scale binderies active in the first quarter of the twentieth century, Rivière & Son integrated the miniatures into bindings for both previously published editions and new works. Stonehouse marketed Sotheran's finished Cosway-bound volumes primarily to booksellers in the United States or to American agents. Before Sotheran's 1911 catalogue, in which they identified the miniature artist as Miss Currie, the miniatures are attributable only by t.…