Beneventan Chant, The (SIGNED AND INSCRIBED BY AUTHOR)

Kelly, Thomas Forrest

ISBN 10: 0521343100 / ISBN 13: 9780521343107

Published by Cambridge University Press, London, England, 1989

About this Item

350 pages. Hardcover. SIGNED AND INSCRIBED BY AUTHOR/w illustrations throughout. Black cover boards, some light agewear on back cover, gilt title on green on spine and front cover board. Binding tight, spine straight. Pages clean and bright. In very good condition.' Record # 32376.

Seller Inventory # 32376

Bibliographic Details

• Title: Beneventan Chant, The (SIGNED AND INSCRIBED BY AUTHOR)
• Publisher: Cambridge University Press, London, England
• Publication Date: 1989
• Language: English
• ISBN 10: 0521343100
• ISBN 13: 9780521343107
• Binding: Hardcover
• Condition: Very Good
• Dust Jacket Condition: None
• Signed: Signed by Author(s)

About this title

Synopsis

From the High Middle Ages the dominance of Gregorian chant has obscured the fact that musical practice in early medieval Europe was far richer than has hitherto been recognized. Despite its historical importance, the "Gregorian" is not the most consistent and probably not the oldest form of Christian chant. The recovery and study of regional musical dialects having a common ancestry in the Christian church and Western musical tradition are reshaping our view of the early history of Christian liturgical music. Thomas Kelly's major study of the Beneventan chant reinstates one of the oldest surviving bodies of Western music: the Latin church music of southern Italy as it existed before the spread of Gregorian chant. Dating from the seventh and eighth centuries it was largely forgotten after the Carolingian desire for political and liturgical uniformity imposed "Gregorian" chant throughout the realm. But a few later scribes, starting apparently in the tenth century, preserved a part of this regional heritage in writing. This book reassembles and describes the surviving repertory.

Book Description

From the High Middle Ages the dominance of Gregorian chant has obscured the fact that musical practice in early medieval Europe was far richer than has hitherto been recognized. Despite its historical importance, the "Gregorian" is not the most consistent and probably not the oldest form of Christian chant.