SARAH THE PRIESTESS: The First Matriarch of Genesis.
Language: English
Published by Swallow Press, Athens, Ohio, 1984
- First Edition
- Signed
- Hardcover
- Used
Seller: Bookfever, IOBA (Volk & Iiams), Ione, CA, U.S.A.Bookfever, IOBA (Volk & Iiams)
AbeBooks seller since November 6, 1997
Condition: Used - Near fine
£ 93.54
Quantity: 1 available
Add to basketItem description from seller
First printing. The uncommon hardcover edition of this study of the role which Sarah plays, in the Genesis narratives. It "appears to be a highly energetic one, a role so active, in fact, that it repeatedly overshadows that of her husband. . Dr. Teubal shows that the 'Sarah tradition' represents a nonpatriarchal system struggling for survival in isolation, in the patriarchal environment of what was for Sarah a foreign society." A presentation copy warmly INSCRIBED on the title page and also SIGNED in full. Illustrated with photographs, family tree charts, double page map. Notes, bibliography, index, chronology. xvii, 201 pp. Near fine in navy blue cloth with gilt lettering on spine in a very good dust jacket. (short tear to upper edge of front cover of dj).
Seller Inventory # 89737
- Title
- SARAH THE PRIESTESS: The First Matriarch of Genesis.
- Author
- Teubal, Savina J.
- Publisher
- Swallow Press, Athens, Ohio
- Publication year
- 1984
- Condition
- NEAR FINE
- Dust jacket
- Dust Jacket Included
- Signed
- Signed by Author(s)
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0804008434
- ISBN 13
- 9780804008433
- Edition
- 1st Edition
- Seller catalogs
- Women's Studies
In a patriarchal environment such as the Canaan of Genesis, the situation is discordant and problematic. Dr. Teubal suggests that the difficulty is eliminated, however, if we understand that Sarah and the other matriarchs mentioned in the narratives acted within the established, traditional Mesopotamian role of priestess, of a class of women who retained a highly privileged position vis-a-vis their husbands.
Dr. Teubal shows that the \u201cSarah tradition\u201d represents a nonpatriarchal system struggling for survival in isolation, in the patriarchal environment of what was for Sarah a foreign society. She further indicates that the insistence of Sarah and Rebekah that their sons and heirs marry wives from the old homeland had to do not so much with preference for endogamy and cousin marriage as with their intention of ensuring the continuation of their old kahina-tradition against the overwhelming odds represented by patriarchal Canaan.
"Synopsis" may belong to another edition of this title.
Review
-- Raphael Patai, author of "The Jewish Mind and The Arab Mind"
"First we had Merlin Stone's When God Was a Woman and now we have Savina Teubal's Sarah the Priestess. Teubal re-examines our Biblical foremothers in light of the cultural context from which they came, the ancient Mesopotamian art work, tablets, codification and legends. In her fresh, far-reaching, controversial and playful study, Teubal has altered our vision, explained mysterious references, and has produced an enormously important work."
-- E. M. Broner, author of "Her Mothers" and" A Weave of Women"
"This is one of the most original and stimulating studies of patriarchal religion and traditions that has been presented to the scholarly and general public in our time. The central idea is so startling that most readers are likely to dismiss it as sheer speculation. However, the book requires the most careful and serious reading and will repay those who invest the time and effort manyfold."
-- David Noel Freedman, director, Studies in Religion, University of Michigan
This is a valuable piece of original research, one which makes a considerable contribution to an understanding of the obscure origins of the role women play in the Genesis narratives.
Raphael Patai, author of "The Jewish Mind and The Arab Mind""
First we had Merlin Stone s When God Was a Woman and now we have Savina Teubal s Sarah the Priestess. Teubal re-examines our Biblical foremothers in light of the cultural context from which they came, the ancient Mesopotamian art work, tablets, codification and legends. In her fresh, far-reaching, controversial and playful study, Teubal has altered our vision, explained mysterious references, and has produced an enormously important work.
E. M. Broner, author of "Her Mothers" and" A Weave of Women""
This is one of the most original and stimulating studies of patriarchal religion and traditions that has been presented to the scholarly and general public in our time. The central idea is so startling that most readers are likely to dismiss it as sheer speculation. However, the book requires the most careful and serious reading and will repay those who invest the time and effort manyfold.
David Noel Freedman, director, Studies in Religion, University of Michigan"
"About the title" may belong to another edition of this title.
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