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[10], 259, [3] pages. Signed by the author on the title page. After a personal tragedy sends him into depression, Walker Fann once again finds a cause for living when he steps in the breach between two Southern communities, torn asunder by the act of a Black teen. Howard Owen (born March 1, 1949) is an American author. He is a writer of literary fiction, mystery, and thrillers. In 2002 Owen won Richmond Magazine's Theresa Pollak Award. He was the winner of the 2012 Hammett Prize awarded annually by the International Association of Crime Writers. He was a 1971 journalism graduate from the University of North Carolina at Chapel Hill, and he earned a master's degree in English from Virginia Commonwealth University in 1981. Owen was a sports editor at The Richmond Times-Dispatch and editorial page editor of the Free Lance-Star in Fredericksburg, Virginia. He retired in 2015 after 44 years as a reporter and editor. His fourth novel, The Measured Man, was published in hardcover by HarperCollins in 1997. It was praised in The New York Times, the Los Angeles Times, Publishers Weekly, Kirkus Reviews, the Raleigh News & Observer, the Orlando Sentinel, and the Fort Lauderdale Sun-Sentinel. Chosen as one of the Los Angeles Times Book Reviews' "Recommended Titles" for 1997, it was also included in The Best Novels of the Nineties: A Reader's Guide. Derived from a Kirkus review: Southern writer Owen movingly details the moral education of a 40ish white male as he finally tries to do the right thing in his racially divided hometown. St. Andrews is small and seemingly quiet, which suits Walker Fann just fine. A man of decent instincts if timid disposition, he believes in small-town life, but St. Andrews is no Eden. Once a milltown called Cottondale, the name was changed in 1949 after a notorious riot. As the story opens in the early '90s, the people of St. Andrews are about to vote on whether the old slave market should be turned into a museum. The black leadership believe that the change would revive the downtown area; the whites fear it would only revive the past. Walker has led a privileged life, meanwhile: He's the publisher of the local newspaper and a golfing buddy of the town's movers and shakers. Unlike the rest of his circle, though, he has black friends and has long dreamed of becoming a crusading journalist. But he's also always deferred to his strong- willed father, Big Walker, who now fears that the paper's support of the museum will lead to a loss of advertising. Walker's life is described in part by his dead wife Mattie, who drowned a year before the story begins while the two were vacationing in Italy. Using a ghost as a narrator is a potentially creaky device, but it works here. And when the still-grieving Walker, pursuing the young black boy who stole his favorite baseball mitt, finds himself drawn by his black acquaintances R.J. and Rasheed Aziz into a fight he doesn't want to fightâ "writing an editorial in favor of the museum- -Mattie is there willing him to do the right thing. Which he eventually does, though not before lives are lost and old friendships tested. A journey of the soul that warms and cheers. First Edition [Stated], First Printing [Stated].
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