Mauve. How One Man Invented a Colour that Changed the World

Garfield, Simon

ISBN 10: 0571201970 / ISBN 13: 9780571201976

Published by Faber and Faber Ltd, London, 2000

About this Item

First edition, first impression with full number line. SIGNED BY THE AUTHOR, WITHOUT DEDICATION, ON TITLE PAGE. Some very slight edge wear to top of jacket and spine, slight yellowing to page block, not price clipped (£9.99), no other inscriptions, internally clean tight and square, overall a vg++ copy, looks unopened, unread. 222pp, illustrated. An artificial dye, mauve, was discovered by a 19th century chemist called William Perkin while searching for a synthetic alternative to natural quinine. This book examines how the different worlds of fashion, industry, business, chemistry and medicine were transformed by a single colour. Seller Inventory # 004021

Bibliographic Details

Title: Mauve. How One Man Invented a Colour that ...

Publisher: Faber and Faber Ltd, London

Publication Date: 2000

Binding: Hardcover

Illustrator: Jacket by Pentagram

Condition: Fine

Dust Jacket Condition: Fine

Signed: Signed by Author(s)

Edition: 1st Edition

About this title

Synopsis:

An artificial dye, mauve, was discovered by a 19th-century chemist called William Perkin while searching for a synthetic alternative to natural quinine. This book examines how the different worlds of fashion, industry, business, chemistry and medicine were transformed by a single colour.

Review:

Mauve? Not the butchest of colours perhaps; you might be forgiven for wondering whether, if a Longitude-style book had to be written about hues, Red, Blue or Yellow might not be the place to start instead. But Garfield has chosen his colour well: mauve and its 19th-century inventor William Perkin constitute a fascinating story. This book convincingly argues that Perkin's invention of this chemical dye became a major turning point in the history of Western science and industry. Purple had always been a royal colour, in part because it was so difficult (and hence expensive) to achieve a good shade out of the animal, mineral or plant raw materials from which all dyes were derived; it took 17,000 dried and crushed cactus insects to make one ounce of cochineal. Perkin found a cheap way to produce a synthetic purple; he made a fortune and prompted a craze for the colour in the fashion industry of his day. But more than this, Garfield argues, he kick-started chemistry from being a gentleman-amateur pastime into becoming the major world industry it is today. Mauve (the Victorians pronounced it "morv", apparently) really did change the world. Just as Perkins's colour was something wholly new, Garfield's Mauve represents a new sort of book, a more varied synthesis than the run-of-the-mill animal, mineral or plant books. In part it is a biography, in part a social and cultural history, and partly it is a meditation on the roles chemistry (and colour) play in our world. It even manages to function as a primer in inorganic chemistry. Garfield achieves this last without being either baffling or condescending; he breaks us in gently to the subject of, for instance, benzene rings by relating Friedrich Kekule's 1858 dream, dozing in front of the fire, "gambolling atoms in snake-like motion, one of the snakes had seized hold of its own tail: his benzene structure consisted of six carbon atoms, each attached to a hydrogen atom C6H6". The model for this integration of chemistry into everyday life is taken from the period itself--at one point we're told that "William Perkins Jnr wrote again, enquiring about the atomic structures of various synthetic perfumes and wishing his father a happy birthday". Presumably in that order. Garfield's book draws you into this world of dyes and dyers; the reader emerges a little mauver than when they started. --Adam Roberts