Loitering: New and Collected Essays (Signed First U.S. Edition)

Charles D'Ambrosio

ISBN 10: 1935639870 / ISBN 13: 9781935639879

Published by Tin House Books, Portland, 2014

About this Item

First printing of the first U.S. edition. Softbound, trade paperback original with French flaps. A very fine (as-new) copy. French flaps. A clean, unmarked copy. SIGNED by D'Ambrosio on title page (as pictured).

Seller Inventory # FLAHIVE-1438

Bibliographic Details

• Title: Loitering: New and Collected Essays (Signed First U.S. Edition)
• Publisher: Tin House Books, Portland
• Publication Date: 2014
• Language: English
• ISBN 10: 1935639870
• ISBN 13: 9781935639879
• Binding: Soft cover
• Edition: 1st Edition
• Condition: As New
• Signed: Signed by Author(s)

About this title

Synopsis

Charles D'Ambrosio's essay collection Orphans spawned something of a cult following. In the decade since the tiny limited-edition volume sold out its print run, its devotees have pressed it upon their friends, students, and colleagues, only to find themselves begging for their copy's safe return. For anyone familiar with D'Ambrosio's writing, this enthusiasm should come as no surprise. His work is exacting and emotionally generous, often as funny as it is devastating. Loitering gathers those eleven original essays with new and previously uncollected work, so that a broader audience might discover one of our great living essayists. No matter his subject--Native American whaling, a Pentecostal "hell house," Mary Kay Letourneau, the work of J.D. Salinger, or, most often, his own family--D'Ambrosio approaches each piece with a singular voice and point of view; each essay, while unique and surprising, is unmistakably his own.

About the Author

Charles D'Ambrosio is the author of two collections of short stories, The Point and The Dead Fish Museum, which was a finalist for the PEN/Faulkner Award, and the essay collection Orphans. He's been the recipient of a Whiting Writer's Award and a Lannan Fellowship, among other honors. His work has appeared frequently in The New Yorker, as well as in Tin House, The Paris Review, Zoetrope All-Story, and A Public Space. He teaches fiction at the Iowa Writers' Workshop.