LIBERATION: Diaries 1970-1983, Edited and Introduced by Katherine Bucknell, Preface by Edmund White

Isherwood, Christopher

ISBN 10: 0062084747 / ISBN 13: 9780062084743

Published by HarperCollins, New York, 2012

About this Item

Signed and dated by editor Katherine Bucknell on the title page, and inscribed by Isherwood s longtime partner, Don Bachardy, on the half-title. "Candid and revealing, the final volume of Christopher Isherwood's diaries brings together his thoughts on life, love, and death. Beginning in the period of his life when he wrote Kathleen and Frank, his first intensely personal book, Liberation: Diaries 1970 1983 intimately and wittily records Isherwood's immersion in the 1970s art scene in Los Angeles, New York, and London - a world peopled by the likes of Robert Rauschenberg, Ed Ruscha, Andy Warhol, and David Hockney, as well as his Broadway writing career, which brought him in touch with John Huston, Merchant and Ivory, John Travolta, John Voight, Elton John, David Bowie, Joan Didion, and Armistead Maupin." Octavo: xlvi, [2], 875 pp. Original light gray paper-covered board over a black cloth spine, with bronze-stamped titles. Light bumping to the corners and tips; else near fine in a near fine dust jacket.

Seller Inventory # 78318

Bibliographic Details

• Title: LIBERATION: Diaries 1970-1983, Edited and Introduced by Katherine Bucknell, Preface by Edmund White
• Publisher: HarperCollins, New York
• Publication Date: 2012
• Language: English
• ISBN 10: 0062084747
• ISBN 13: 9780062084743
• Binding: Hardcover
• Edition: First Edition.
• Condition: Near fine
• Dust Jacket Condition: Near fine
• Signed: Signed by Author(s)
• Seller catalogs:
  • Literature

About this title

Synopsis

In this final volume of his diaries, the English-American novelist, whose collaborations with his long-term companion Don Bachardy extended ties in Hollywood and the theatre world, greets advancing age with humor and an unquenchable appetite for the new. 15,000 first printing.

From the Back Cover

"A slip of a wild boy: with quick silver eyes," as Virginia Woolf saw him in the 1930s, Christopher Isherwood journeyed and changed with his century, until, by the 1980s, he was celebrated as the finest prose writer in English and the grand old man of gay liberation. In this final volume of his diaries, the capstone of a million-word masterwork, Isherwood greets advancing age with poignant humor and an unquenchable appetite for the new; even aches, illnesses, and diminishing powers are clues to a predicament still unfathomed. The mainstays of his mature contentment—his Hindu guru, Swami Prabhavananda, and his long-term companion, Don Bachardy—draw from him an unexpected high tide of joy and love.

Around his private religious and domestic routines orbit gifted friends both anonymous and infamous. Bachardy's burgeoning career pulled Isherwood into the 1970s art scenes in Los Angeles, New York, and London, where we meet Rauschenberg, Ruscha, and Warhol (serving fetid meat for lunch), as well as Hockney (adored) and Kitaj. Collaborating with Bachardy on scripts for the prizewinning Frankenstein and the Broadway fiasco A Meeting by the River, Isherwood extended his ties in Hollywood and in the theater world. John Huston, Merchant and Ivory, John Travolta, David Bowie, John Voight, Armistead Maupin, Elton John, and Joan Didion each take a turn through Isherwood's densely populated human comedy, sketched with both ruthlessness and benevolence against the background of the Vietnam War, the energy crisis, and the Nixon, Carter, and Reagan White Houses.

In Kathleen and Frank, his first book of this period, Isherwood unearthed the family demons that haunted his fugitive youth. When contemporaries began to die, he responded in Christopher and His Kind and My Guru and His Disciple with startling fresh truths about shared experiences. These are the most concrete and the most mysterious of his diaries, candidly revealing the fear of death that crowded in past Isherwood's fame, and showing how his lifelong immersion in the day-to-day lifted him, paradoxically, toward transcendence.