Synopsis:
"Once upon a time, I thought faeries lived only in books, old folktales, and the past. That was before they burst upon my life as vibrant, luminous beings, permeating my art and my everyday existence, causing glorious havoc..." In the long-awaited sequel to the international bestseller "Faeries", artist Brian Froud rescues pixies, gnomes, and other faeries from the isolation of the nursery and the distance of history, bringing them into the present day with vitality and imagination. In this richly imagined new book, Brian reveals the secrets he has learned from the faeries-- what their noses and shoes look like, what mischief and what gentle assistance they can give, what their souls and their dreams are like. As it turns out, faeries aren't all sweetness and light. In addition to such good faeries as Dream Weavers and Faery Godmothers, Brian introduces us to a host of less well behaved creatures-- traditional bad faeries like Morgana le Fay, but also the Soul Shrinker and the Gloominous Doom. The faery kingdom, we find, is as subject to good and evil as the human realm. Brilliantly documenting both the dark and the light, "Good Faeries/Bad Faeries" presents a world of enchantment and magic that deeply compels the imagination.
Review:
Brian Froud is an artist with a flair for subtly coloured fantasy. Here he revisits the ethereal territory of his art books Faeries (with Alan Lee) and the comic- gruesome Lady Cottington's Pressed Fairy Book (with Terry Jones)--the latter a Hugo award winner. Froud has a whole philosophy of faeries and their reality which some readers may find a bit woozily "New Age", though traditional lore and Jungian archetypes are also discussed. Symbolising his sense that "good" and "bad" can shift with viewpoint, this large-format volume consists of Good Faeries and Bad Faeries bound back to back, each upside down relative to the other. The fine artwork offers more variety than you might expect from this subject: traditional faeries, grotesques and comic figures (in both sections), horrors, abstract energy patterns, and crowded, symbolic scenes reminiscent of Hieronymus Bosch or Richard Dadd. Just as in Paradise Lost, the bad guys can be more fun--from their hauntingly imagined Queen, through nasties like the Bigot Bogey and spirits of various dark emotions, to such familiar metaphorical nuisances as the Computer Glitch, Small Pang of Regret and Bad Hair Day Faery. Crammed with Froud's full-colour paintings, this is an attractive gift book. -- David Langford
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