THE FACE OF NATURE: WIT, NARRATIVE, AND COSMIC ORIGINS IN OVID'S METAMORPHOSES [Inscribed]
Language: English
Published by Princeton University Press, Princeton, NJ, 1997
- First Edition
- Signed
- Hardcover
- Used
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.Second Story Books, ABAA
AbeBooks seller since May 29, 1997
Condition: Used
£ 46.78
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Add to basketItem description from seller
Octavo, 238 pages. In Very Good condition, with a Very Good condition dust jacket. Tan cloth boards with red lettering to spine. Mild shelf wear, including cocking to spine (boards somewhat shaken, slight shelf lean, binding sturdy); mild age-toning to text block; light foxing to rear endpapers. Dust jacket protected by a mylar covering; tan spine with red lettering. Mild shelf wear to dust jacket, including rubbing to covers and creasing to margins. Inscribed by Tissol to front free endpaper. Shelved in Greco-Roman Classics. 1396953. Shelved Dupont Bookstore.
Seller Inventory # 1396953
- Title
- THE FACE OF NATURE: WIT, NARRATIVE, AND COSMIC ORIGINS IN OVID'S METAMORPHOSES [Inscribed]
- Author
- Tissol, Garth
- Publisher
- Princeton University Press, Princeton, NJ
- Publication year
- 1997
- Dust jacket
- Dust Jacket Included
- Signed
- Signed by Author(s)
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0691011028
- ISBN 13
- 9780691011028
- Edition
- First Edition, First Printing.
- Seller catalogs
- Ancient History & Classical Studies, Dupont Circle
In these reflections on the mercurial qualities of style in Ovid's Meta-morphoses, Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the work a changing, transformative experience, as it both embodies and reflects the poem's presentation of the world as defined by instability and flux. Tissol deftly illustrates that far from being merely ornamental, style is as much a site for interpretation as any other element of Ovid's art.
In the first chapter, Tissol argues that verbal wit and wordplay are closely linked to Ovidian metamorphoses. Wit challenges the ordinary conceptual categories of Ovid's readers, disturbing and extending the meanings and references of words. Thereby it contributes on the stylistic level to the readers' apprehension of flux. On a larger scale, parallel disturbances occur in the progress of narratives. In the second and third chapters, the author examines surprise and abrupt alteration of perspective as important features of narrative style. We experience reading as a transformative process not only in the characteristic indirection and unpredictability of Ovid's narrative but also in the memory of his predecessors. In the fourth chapter, Tissol shows how Ovid subsumes Vergil's Aeneid into the Metamorphoses in an especially rich allusive exploitation, one which contrasts Vergil's aetiological themes with those of his own work.
Originally published in 1997.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Second Story Books, ABAA
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