Drawn from the Source: The Travel Sketches of Louis I. Kahn

Eugene J. Johnson, Michael J. Lewis, with Ralph Lieberman

ISBN 10: 0913697206 / ISBN 13: 9780913697207

Published by Williams College Museum of Art and the M.I.T. Press, Williamstown, MA/Cambridge, MA, 1996

About this Item

soft cover, as issued., some creasing to cover, minor sunning to spine and back cover. soft bump to part of one corner. no other flaws. clean. no text or exterior markings. strong sewn binding.; this copy is inscribed and signed by author's johnson and lewis on the title page with a small architectural detail drawn by lewis.; viii-136pp., 10 color plates and 105 b/w illustrations.three essays. catalogue. Size: 4to - over 9¾" - 12" tall.

Seller Inventory # 21527

Bibliographic Details

• Title: Drawn from the Source: The Travel Sketches of Louis I. Kahn
• Publisher: Williams College Museum of Art and the M.I.T. Press, Williamstown, MA/Cambridge, MA
• Publication Date: 1996
• Language: English
• ISBN 10: 0913697206
• ISBN 13: 9780913697207
• Binding: Soft Cover
• Edition: First Edition.
• Condition: Very Good
• Signed: Signed By Authors
• Book Type: Exhibition Catalogue
• Seller catalogs:
  • Architecture

About this title

Synopsis

Louis I. Kahn (1901-1974) was among the most highly regarded 20th-century architects, yet the relationship of his haunting travel sketches to his work has not been systematically explored until now. "Drawn from the Source" shows how Kahn's encounters with the great buildings of the past influenced his own architecture, and how monuments such as the Salk Institute and the Kimbell Art Museum employ natural materials and natural light to create a sense of permanence and communal space inspired by buildings far removed in time and place. "Drawn from the Source" describes Kahn's journeys to Europe and Asia in 1928-1929, 1951 and 1959, culminating in the great pastel sketches that circulated privately among architects and played a large part in the revival of architectural sketching in recent years. Each sketching episode is considered in terms of its contribution to Kahn's later architectural formulations, showing how he worked from his sketches to make that great synthesis of modernism and historical form that distinguishes his work. Kahn's itineraries are reconstructed through surviving watercolours, pastel and pencil drawings that reveal rapid shifts in style, sometimes week by week, while he developed a way of drawing that reflected his understanding of architectural form. Specially commissioned photographs taken by Ralph Lieberman from the precise viewpoints of the drawings document the variance of the sites from Kahn's selective interpretation of them.