I Was a Dancer: A Memoir (Signed First Edition)

Jacques d'Amboise

ISBN 10: 1400042348 / ISBN 13: 9781400042340

Published by Alfred A. Knopf, New York., 2011

About this Item

New York: Alfred A. Knopf, 2011. First edition. First printing. Very fine in a very fine dust jacket. Publisher s original price intact on jacket flap ($35.00). Comes with archival-quality mylar dust jacket protector. Octavo, 443 pages, with photographs. A pristine, unread copy. Jacques d Amboise s expansive autobiography, recounting his more than three decades as a principal dancer with the New York City Ballet and his collaborations with George Balanchine, as well as his later work as a choreographer and founder of the National Dance Institute. d Amboise (1934 2021) was an American ballet dancer, choreographer, and educator, one of the most celebrated dancers of his generation, and recipient of the Kennedy Center Honors (1995) and the National Medal of Arts (1998). "I Was a Dancer" was his major memoir. Signed by the author on the title page, his name only. Purchased new and opened only for signature. You cannot find a better copy.

Seller Inventory # 04-2011-202

Bibliographic Details

• Title: I Was a Dancer: A Memoir (Signed First Edition)
• Publisher: Alfred A. Knopf, New York.
• Publication Date: 2011
• Language: English
• ISBN 10: 1400042348
• ISBN 13: 9781400042340
• Binding: Hardcover
• Edition: 1st Edition
• Condition: New
• Dust Jacket Condition: New
• Signed: Signed by Author(s)
• Seller catalogs:
  • Dance

About this title

Synopsis

“Who am I? I’m a man; an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.”

In this rich, expansive, spirited memoir, Jacques d’Amboise, one of America’s most celebrated classical dancers, and former principal dancer with the New York City Ballet for more than three decades, tells the extraordinary story of his life in dance, and of America’s most renowned and admired dance companies.

He writes of his classical studies beginning at the age of eight at The School of American Ballet. At twelve he was asked to perform with Ballet Society; three years later he joined the New York City Ballet and made his European debut at London’s Covent Garden.

As George Balanchine’s protégé, d’Amboise had more works choreographed on him by “the supreme Ballet Master” than any other dancer, among them Tchaikovsky Pas de Deux; Episodes; A Midsummer’s Night’s Dream; Jewels; Raymonda Variations.

He writes of his boyhood—born Joseph Ahearn—in Dedham, Massachusetts; his mother (“the Boss”) moving the family to New York City’s Washington Heights; dragging her son and daughter to ballet class (paying the teacher $7.50 from hats she made and sold on street corners, and with chickens she cooked stuffed with chestnuts); his mother changing the family name from Ahearn to her maiden name, d’Amboise (“It’s aristocratic. It has the ‘d’ apostrophe. It sounds better for the ballet, and it’s a better name”).

We see him. a neighborhood tough, in Catholic schools being taught by the nuns; on the streets, fighting with neighborhood gangs, and taking ten classes a week at the School of American Ballet . . . being taught professional class by Balanchine (he was “small, unassuming, he radiated energy and total command”) and by other teachers of great legend: Anatole Oboukhoff, premier danseur of the Maryinsky Theatre (“Such a big star,” said Balanchine, “people followed him, like a prince with servants”); and Pierre Vladimiroff, Pavlova’s partner (“So light on feather feet”). Vladimiroff drilled into his students, “You must practice, practice, practice. Onstage, forget everything! Just listen to the music and dance.”

D’Amboise writes about Balanchine’s succession of ballerina muses who inspired him to near-obsessive passion and led him to create extraordinary ballets, dancers with whom d’Amboise partnered—Maria Tallchief; Tanaquil LeClercq, a stick-skinny teenager who blossomed into an exquisite, witty, sophisticated “angel” with her “long limbs and dramatic, mysterious elegance . . .”; the iridescent Allegra Kent; Melissa Hayden; Suzanne Farrell, who Balanchine called his “alabaster princess,” her every fiber, every movement imbued with passion and energy; Kay Mazzo; Kyra Nichols (“She’s perfect,” Balanchine said. “Uncomplicated—like fresh water”); and Karin von Aroldingen, to whom Balanchine left most of his ballets.

D’Amboise writes about dancing with and courting one of the company’s members, who became his wife for fifty-three years, and the four children they had . . . On going to Hollywood to make Seven Brides for Seven Brothers and being offered a long-term contract at MGM (“If you’re not careful,” Balanchine warned, “you will have sold your soul for seven years”) . . . On Jerome Robbins (“Jerry could be charming and complimentary, and then, five minutes later, attack, and crush your spirit—all to see how it would influence the dance movements”).

D’Amboise writes of the moment when he realizes his dancing career is over and he begins a new life and new dream teaching children all over the world about the arts through the magic of dance.

A riveting, magical book, as transformative as dancing itself.

About the Author

Jacques d’Amboise was a principal dancer with the New York City Ballet for more than thirty-three years. In 1976, he founded the National Dance Institute, and is the author of Teaching the Magic of Dance (1983). He has been the recipient of numerous honors and awards, among them the Kennedy Center Honor, the National Medal of Arts, and fellowships from the Academy of Arts and Sciences and the MacArthur Foundation. He has won an Academy Award, six Emmy Awards, and the Peabody Award. He lives in New York City and Hunter, New York.