Call it Sleep
Roth, Henry
Sold by James Cummins Bookseller, ABAA, New York, NY, U.S.A.
Association Member:
Heritage Bookseller
AbeBooks Seller since 29 May 1998
Sold by James Cummins Bookseller, ABAA, New York, NY, U.S.A.
Association Member:
Heritage Bookseller
AbeBooks Seller since 29 May 1998
First edition in prepublication jacket. Variant binding in red cloth (as opposed to light blue cloth), possible trial binding, in jacket that is slightly longer at bottom (~6mm extended from usual jacket). 1 vols. 8vo. Inscribed by Roth to his sister on the half-title: "For my dear sister, Rose / Henry Roth." Roth's great autobiographical novel about New York City ghetto life was widely praised upon its release in 1934, but sold only 4000 copies and faded into obscurity. In 1964 it was republished as a paperback by Avon books and reviewed by Irving Howe as the first paperback book ever reviewed on the front page of the New York Times Books section; it sold quickly through 250,000 copies. Howe called it "one of those novels there are not very many which patiently enter and then wholly exhaust an experience. Taking fierce imaginative possession of its subject, the novel scrutinizes it with an almost unnerving intensity, yet also manages to preserve a sense of distance and dispassion. …Through the transfiguring imagination of [the hero, it] also achieves an obbligato of lyricism such as few American novels can match." The novel is frequently compared to the work of James Joyce, and Roth read Ulysses in 1925, when the book was still little more than a rumor in the American mind, after his girlfriend Eda Lou Walton later the dedicatee of Call it Sleep lent him the copy of the banned book she smuggled into the country from Paris. Inspired by the way that Joyce turned workaday Dublin into the stuff of high art, he began to take some of the pieces of his New York City ghetto experience and put them together into a novel. It took him some eight years to finish it, and the drafts that he wrote in blue composition books were mailed to his sister, Rose, in the city, who obligingly typed them up and mailed them back (Kellman, 113). Other details about Henry and Rose's relationship only emerged late in his life. Roth began "groping" his sister when he was twelve and she was ten, and four years later they "reached full sexual intimacy" (Kellman, 67). Roth's novel weaves together so many autobiographical details about his parents, about the languages in his home, about the gentile slum children he knew, even about sexual relationships with his cousin and other neighborhood girls but his hero, David Schearl, is an only child. One wonders what Rose made of this omission, in the face of the fact that she would've recognized so much else in the book as the content of her very own upbringing. The full story of their relationship remained a secret until the 1990s; Roth was writing the second volume of his Mercy of a Rude Stream series of autobiographical novels and he introduced a sister character, with whom his hero has an incestuous relationship she was left out of the first volume, and it's speculated that Roth feared the series wouldn't be published if he included the incest up front in the first volume. Rose Broder (nee Roth), was warned of the content before publication and threatened to sue. This was much reported on at the time, very painfully for all parties involved. Rose was paid $10,000 by Henry and received the legal assurance that sibling incest would not feature in future volumes. In addition to being excised from the novel, and typing it up for publication, Rose was instrumental in bringing it back into print again as well. In 1956, she attended a talk about the Jewish American literary canon given by Charles Angoff at a Jewish Community Center in Queens. Angoff mentioned the neglected masterpiece, Call it Sleep, which was out of print, and whose author had disappeared. After the talk Rose spoke to Angoff and offered to put him in touch with her brother, then living in Maine as a poultry farmer. Angoff told Harold Ribalow, a cultural macher and former student of Eda Lou Watson, and Ribalow and Rose Broder set about getting the book out of contractual hock to Scribner's to whom it was transferred in a deal that was to.
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