THE BOOK OF FORM AND EMPTINESS; A Novel

Ozeki, Ruth

ISBN 10: 0399563644 / ISBN 13: 9780399563645

Published by Viking, New York, 2021

About this Item

SIGNED by the Author with her distinctive Zen "ROz" on a special front endpaper; tall & thick 8vo, ivory quarter cloth with bright blue lettering on spine over light blue boards, archival mylar-protected lettered dust jacket (unclipped), 548 pages. Weight: 1 lb. 13 oz. Ruth Ozeki (born 1956) is an American-Canadian author, filmmaker and Zen Buddhist priest. Her books and films, including the novels My Year of Meats (1998), All Over Creation (2003), A Tale for the Time Being (2013), and The Book of Form and Emptiness (2021) seek to integrate personal narrative and social issues, and deal with themes relating to science, technology, environmental politics, race, religion, war and global popular culture--Wiki. SIGNED & in EXCEPTIONAL CONDITION! No previous owner or remainder marks.

Seller Inventory # 9897

Bibliographic Details

• Title: THE BOOK OF FORM AND EMPTINESS; A Novel
• Publisher: Viking, New York
• Publication Date: 2021
• Language: English
• ISBN 10: 0399563644
• ISBN 13: 9780399563645
• Binding: Cloth and boards
• Edition: First Printing.
• Condition: Like New
• Dust Jacket Condition: Like New
• Signed: Signed by Author(s)
• Seller catalogs:
  • Literature & Fiction

About this title

Synopsis

Winner of the Women’s Prize for Fiction

“No one writes like Ruth Ozeki—a triumph.” —Matt Haig, New York Times bestselling author of The Midnight Library

“Inventive, vivid, and propelled by a sense of wonder.” —TIME

“If you’ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home.” —David Mitchell, Booker Prize-finalist author of Cloud Atlas

A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both—the brilliantly inventive new novel from the Booker Prize-finalist Ruth Ozeki

One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.
 
At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.
 
And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter.
 
With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.

About the Author

Ruth Ozeki is a novelist, filmmaker, and Zen Buddhist priest. She is the best-selling author of four novels: The Book of Form and Emptiness, winner of the UK’s 2022 Women’s Prize for Fiction; My Year of Meats; All Over Creation; and A Tale for the Time Being, which won the LA Times Book Prize and was a finalist for the 2013 Booker Prize and the National Book Critics' Circle Award. Her nonfiction work includes a memoir, The Face: A Time Code, and the documentary film, Halving the Bones. A longtime Buddhist practitioner, Ruth is affiliated with the Brooklyn Zen Center and the Everyday Zen Foun­dation. She is the Grace Jarcho Ross 1933 Professor of Humanities at Smith College.