Andrew Moore: Detroit Disassembled (Signed First Edition)

Andrew Moore (photographs); Philip Levine (essay)

ISBN 10: 8862081189 / ISBN 13: 9788862081184

Published by Damiani/Akron Art Museum, Akron, OH, 2010

About this Item

First printing. A pristine, unread copy (without marks or bruises or smells or any other defect). A new copy in a new jacket. Comes with archival-quality mylar dust jacket cover (not clipped, of course). Shipped in well-padded box. Purchased new. SIGNED BY ANDREW MOORE on title page, along with date (2010) and place (Strand Bookstore), as pictured. PHOTOGRAPHY. Ferry-Art.

Seller Inventory # 10-2015-415

Bibliographic Details

• Title: Andrew Moore: Detroit Disassembled (Signed First Edition)
• Publisher: Damiani/Akron Art Museum, Akron, OH
• Publication Date: 2010
• Language: English
• ISBN 10: 8862081189
• ISBN 13: 9788862081184
• Binding: Hardcover
• Edition: 1st Edition
• Condition: New
• Dust Jacket Condition: New
• Signed: Signed by Author(s)
• Seller catalogs:
  • Photography

About this title

Synopsis

Detroit at the end of the assembly line: an astonishing record of urban ruin

No longer the Motor City of boom-time industry, the city of Detroit has fallen into an incredible state of dilapidation since the decline of the American auto industry after the Second World War. Today, whole sections of the city resemble a war zone, its once-spectacular architectural grandeur reduced to vacant ruins. In Detroit Disassembled, photographer Andrew Moore records a territory in which the ordinary flow of time-or the forward march of the assembly line-appears to have been thrown spectacularly into reverse. For Moore, who throughout his career has been drawn to all that contradicts or seems to threaten America's postwar self-image (his previous projects include portraits of Cuba and Soviet Russia), Detroit's decline affirms the carnivorousness of our earth, as it seeps into and overruns the buildings of a city that once epitomized humankind's supposed supremacy. In Detroit Disassembled, Moore locates both dignity and tragedy in the city's decline, among postapocalyptic landscapes of windowless grand hotels, vast barren factory floors, collapsing churches, offices carpeted in velvety moss and entire blocks reclaimed by prairie grass. Beyond their jawdropping content, Moore's photographs inevitably raise the uneasy question of the long-term future of a country in which such extreme degradation can exist unchecked.

About the Author

Andrew Moore is best known for his large format photographs of Cuba, Russia, Times Square, Detroit, and most recently, the American High Plains. He graduated from Princeton University in 1979 where he studied with the esteemed photographer Emmet Gowin as well as the photo historian Professor Peter Bunnell. Moore's photographs are held in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the Yale University Art Gallery, Museum of Fine Arts Houston, the George Eastman House and the Library of Congress amongst many others. His publications include Cuba (2012), Detroit Disassembled (2010), Russia; Beyond Utopia (2005), Governors Island (2004) and Inside Havana (2002). He currently teaches a graduate seminar in the MFA Photography Video and Related Media program at the School of Visual Arts in New York City.