Men in the Off Hours - Softcover

Carson, Anne

Softcover

ISBN 10: 0676973566 ISBN 13: 9780676973563

Publisher: VINTAGE CANADA, 2001

Synopsis

Anne Carson has been acclaimed by her peers as the most imaginative poet writing today. In a recent profile, The New York Times Magazine paid tribute to her amazing ability to combine the classical and the modern, the mundane and the surreal, in a body of work that is sure to endure. In Men in the Off Hours, Carson offers further proof of her tantalizing gifts. Reinventing figures as diverse as Oedipus, Emily Dickinson and Audubon, she sets up startling juxtapositions: Lazarus among video paraphernalia, Virginia Woolf and Thucydides discussing war, Edward Hopper paintings illuminated by St. Augustine. And in a final prose poem, Carson meditates movingly on the recent death of her mother. With its quiet, acute spirituality, its fearless wit and sensuality, and its joyful understanding that "the fact of the matter for humans is imperfection," Men in the Off Hours shows us a fiercely individual poet at her best.

About this title

Review

Yes, consistency is the hobgoblin of small minds--and minor poets. The major ones tend to operate in a trough-and-peak pattern, producing a dozen lesser works for every masterpiece. Still, Anne Carson pushes this tendency to extremes, and nowhere more markedly than in Men in the Off Hours, which contains some of the best and worst lyrics of her entire career.

First, the good news: nobody has written more acutely about perception--about the chaotic collision of our senses with the real world--since the glory days of Wallace Stevens. Not that Carson echoes the airborne rhetoric of her great predecessor. Her fractured, zigzagging lines deliberately avoid the kind of gravity that was his trademark, and she likes to deflect the grand manner by ratcheting her diction upward (into Delphic utterance) or downward (into baby talk, if the baby happens to be Gertrude Stein). Still, like Stevens, she makes us think about how we think. We comprehend things only in flux and, as Carson explains in "Essay on What I Think About Most", by mistake:

what we are engaged in when we do poetry is error, the wilful creation of error, the deliberate break and complication of mistakes out of which may arise unexpectedness.

Now for the bad news: Men in the Off Hours includes too ample a serving of Carson's weaker, semiprecious work--short lyrics in which she bends over backwards for an antipoetic poetic effect (if such a thing is possible). "Epitaph: Europe" is precisely the kind of freeze-dried surrealism she should avoid. Still, Carson's blazing successes easily overshadow her failures. And those who have found her too recondite, too forbidding, need only take a look at the concluding poem, "Appendix to Ordinary Time". This elegy to the poet's mother is touching, emotionally direct, and completely original: an instant (to use a phrase Carson would probably loathe) classic. --James Marcus

Review

"Carson's reputation has soared to a level equal to that of the half-dozen most admired contemporary American poets of the 21st century."
--The New York Times Book Review

"Anne Carson... is another of those literary treasures better known internationally than at home... She's become one of those writers other writers talk about with a kind of awe."
--The Toronto Star

"The most exciting poet writing in English today."
--Michael Ondaatje

"Carson is where the action is in contemporary poetry."
--The Globe and Mail

Edition details

• Publisher: VINTAGE CANADA
• Publication date: 2001
• Language: English
• ISBN 10: 0676973566
• ISBN 13: 9780676973563
• Binding: Paperback
• Number of pages: 176