Bridget Jones's Diary was first published in 1996 and applauded by critics from Salman Rushdie to Jilly Cooper. A number one best-seller, Helen Fielding's book has sold over fifteen million copies worldwide and has been turned into an Academy Award-nominated film starring Renee Zellweger, Colin Firth and Hugh Grant. Bridget Jones's Diary is followed by Bridget Jones: The Edge of Reason and Bridget Jones: Mad About the Boy.
Bridget Jones is everyone's favourite spinster. In Bridget Jones's Diary she documents her struggles through the social minefield of her 30s and tries to weigh up the eternal question: Daniel Cleaver of Mark Darcy? She is supported through the whole process by four indispensable friends, Shazzer, Jude, Tom and a bottle of chardonnay.
A dazzling urban satire of modern relationships?
An ironic, tragic insight into the demise of the nuclear family?
Or the confused ramblings of a pissed thirty-something?
"synopsis" may belong to another edition of this title.
At the beginning of Helen Fielding's exceptionally funny second novel, the thirtyish publishing puffette is suffering from postholiday stress syndrome but determined to find Inner Peace and poise. Bridget will, for instance, "get up straight away when wake up in mornings." Now if only she can survive the party her mother has tricked her into--a suburban fest full of "Smug Marrieds" professing concern for her and her fellow "Singletons"--she'll have made a good start. As far as she's concerned, "We wouldn't rush up to them and roar, 'How's your marriage going? Still having sex?'"
This is only the first of many disgraces Bridget will suffer in her year of performance anxiety (at work and at play, though less often in bed) and living through other people's "emotional fuckwittage." Her twin-set-wearing suburban mother, for instance, suddenly becomes a chat-show hostess and unrepentant adulteress, while our heroine herself spends half the time overdosing on Chardonnay and feeling like "a tragic freak." Bridget Jones's Diary began as a column in the London Independent and struck a chord with readers of all sexes and sizes. In strokes simultaneously broad and subtle, Helen Fielding reveals the lighter side of despair, self-doubt, and obsession, and also satirizes everything from self-help books (they don't sound half as sensible to Bridget when she's sober) to feng shui, Cosmopolitan-style. She is the Nancy Mitford of the 1990s, and it's impossible not to root for her endearing heroine. On the other hand, one can only hope that Bridget will continue to screw up and tell us all about it for years and books to come. --Kerry Fried
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