Edith S�dergran y la Mujer que No Es Edith S�dergran Es una poeta sueco-finlandesa nacida el 4 de abril de 1892 y fallecida tempranamente en 1923. Una primera impresi�n al leer su producci�n po�tica nos envuelve en la voz exclusiva de un ser que emerge entre los siglos convulsos de la modernidad. El panorama de su poes�a est� marcado claramente por el contexto de las revoluciones en el lenguaje y por la revoluci�n rusa. La poes�a como sostiene Octavio Paz es un acto de amor y de espiritualidad: “En el encuentro amoroso, en la imagen po�tica y en la teofan�a se conjugan sed y satisfacci�n: somos simult�neamente fruto y boca, en unidad indivisible”. En Edith as� lo podemos evidenciar como una reverberaci�n de acentos instintivos sobre el paso de los d�as. Una libertad incalculada y no caduca inunda de manera muy preclara cada voz y momento de su producci�n. Expresionista, an�rquica y formalmente muy modernista esta poeta construye una po�tica de la voz femenina que trasciende los arquetipos y los c�rculos sem�nticos de la mera liberaci�n femenina. En esta colecci�n selecciona de su poes�a que est� b�sicamente comunicada a trav�s de cuatro obras:Poemas, en 1916, Lira de septiembre, en 1918, El altar de rosas, en 1919 y La sombra del futuro, en 1920. En 1925 se publica en forma p�stuma El pa�s que no es, que re�ne su producci�n dispersa producida desde antes de 1916 hasta 1923, a�o de su muerte. Como lo apunta la selecci�n y nota de Roberto Mascar� en Edith S�dergran Poemas selectos su poes�a es entendible no s�lo en la fuerza de la renovaci�n de la emoci�n del yo sino en la formalidad que encuentra en un ritmo de im�genes que junto con otros nombres como Gunnar Bj�rling, Rabbe Enckell, Elmer Diktonius, Henry Parland se denomin� modernismo sueco-finland�s o finlandssvensk modernism. La presente selecci�n contiene cuarenta y dos poemas de la totalidad de los cuatro poemarios de la autora. Agradecimientos especiales al poeta y editor Andr�s Norman Castro por su inter�s en publicar la obra de Edith. La selecci�n obedece a criterios de expresi�n clave de la po�tica de la autora, as� mismo a la presentaci�n panor�mica de su evoluci�n po�tica. Esperaremos que otros poetas, lectores y estudiosos hagan suya la tarea de leerle y hacerla visible para otros tantos sedientos de gran literatura. Leer y estudiar la poes�a de Edith S�dergran es imprescindible no s�lo para las mujeres escritoras ni s�lo para los grupos de cr�ticos literarios sino tambi�n para aquellos lectores que se redescubren en la voces humanas que trascienden su tiempo para profetizarse. La cr�tica y algunas valoraciones simplistas podr�n apuntar el efecto de lo l�rico, lo buc�lico, lo intimista como un camino ya transitado; sin embargo, la po�tica de la emoci�n y del desencuentro con los diagramas modernos tambi�n existe como un hilo m�s complejo de lo que parece. No s�lo se trata de la decadencia o de lo an�rquico de la vida sino de ser excepcionalmente un modo de vida y de argumentar esa conspiraci�n en contra de todo lo que socava la necesidad de ser libre. As� apreciamos la poes�a de Edith desde su voz conspirativa contra la totalidad. Nos neutralizamos y nos fragmentamos. Francisca Alfaro Poeta salvadore�a

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