The Whiteness Between Us: Early Modern Playbooks of Racial Triangulation
Language: English
Published by University of Chicago Press, 2026
- First Edition
- Softcover
- New
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
AbeBooks seller since February 27, 2001
Condition: New
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Add to basketItem description from seller
2026. First Edition. paperback. . . . . .
Seller Inventory # V9780226851020
- Title
- The Whiteness Between Us: Early Modern Playbooks of Racial Triangulation
- Author
- Ndiaye, No?mie
- Publisher
- University of Chicago Press
- Publication year
- 2026
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0226851028
- ISBN 13
- 9780226851020
- Edition
- 1st Edition
A theorization of the representational juxtapositions, frictions, and connections between Black people and other non-white people in early modern European theatre.
Over the course of the seventeenth century, European drama was an important tool for whiteness to imagine itself at the top of an aspirational structure of power relations. Indeed, that structure could only be aspirational at a time when Europeans were profoundly divided along easily racializable religious and ethnic lines, and when their sovereignty was threatened by the Ottoman empire. It was to strengthen this emerging consciousness of racial whiteness, Noémie Ndiaye argues, that European drama engaged in a form of racial triangulation, fitting Muslim, Jewish, Indigenous, Romani, and Asian characters into a spurious black/white racial binary.
Focusing on English, Spanish, and French drama from 1580 to 1715, The Whiteness Between Us shows how plays became a crucial tool to position not only black people but any non-white community in the new racial architecture that white supremacy sought to build. Ndiaye reveals the stage of this era as a space for wish fulfillment, enabling participants to imagine and work towards a whiter future.
The early modern playbooks of racial triangulation that Ndiaye brings to light can and have been reactivated for white supremacist purposes in our own day and age. Partly in response to the contemporary threat of white nationalism, scholars and students have sought to unearth the early modern roots of racial whiteness and white supremacy. Ndiaye’s book participates in this wave of interest, offering several innovations, including its capacious transnational claims.
"Synopsis" may belong to another edition of this title.
About the Author
Noémie Ndiaye is associate professor of Renaissance and early modern English literature at the University of Chicago. She works on early modern English, French, and Spanish theater with a critical focus on race. She is the author of the multi-award-winning Scripts of Blackness: Early Modern Performance Culture and the Making of Race and coeditor, with Lia Markey, of Seeing Race Before Race: Visual Culture and the Racial Matrix in the Premodern World.
"About the title" may belong to another edition of this title.
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