Argues that the techniques taught in acting school, and in particular the famous Stanislavsky Method, mislead aspiring actors, and suggests ways for performers to remain true to the characters they present
"Mamet manages to demolish the myths...that pass for theory with regard o acting and directing. . .
True and False is a revealing book of the highest order and a pleasure to read"--Anthony Hopkins
"Hard-edged, pragmatic and idealistic. . . . Every actor or would-be actor should read this book."--
Chicago Tribune "Trenchant...Meet's pared-down, occasionally cryptic prose can make powerful sense."--
The New York Times "This book should be read and considered by everyone who acts."--Steve Martin