Telling time / Alexander Sturgis
Language: English
Published by London : National Gallery Co., 2000
- First Edition
- Softcover
- Used
Condition: Used
£ 9.53
Quantity: 1 available
Add to basketItem description from seller
Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 72 pages : illustrations (some color) ; 27 cm. Contents: Sponsor's foreword / Ansel Condray -- Director's foreword / Neil MacGregor -- About time -- Story time -- Moment and movement -- Time to look -- Art of time? -- Endnotes -- Bibliography -- Photographic credits -- List of lenders. Subjects: Hogarth, William 1697-1764. Holbein, Hans 1460-1524. Egg, Augustus Leopold. Time in art ; Exhibitions. 1 Kg.
Seller Inventory # 477248
- Title
- Telling time / Alexander Sturgis
- Author
- Sturgis, Alexander. National Gallery
- Publisher
- London : National Gallery Co.
- Publication year
- 2000
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 1857099052
- ISBN 13
- 9781857099058
- Edition
- 1st ed.
- Item weight
- 1 kilogram
Hogarth's paintings of Before and After tell a simple (if somewhat scurrilous) story by using sequential images to show time's progress - a technique whose use can be traced from the earliest manuscript to the modern comic strip. In contrast Rembrandt's Belshazzar's Feast encapsulates a whole tale in one moment of fear and realisation. Drawing on works by artists as varied as Hergi and Uccello, the author begins by considering the different ways in which unmoving images can evoke the progressions of an unfolding story.
He then looks at how conveying the impression of rapid movement and the fleeting moment has challenged artists from the earliest times. It was not, for example, until the seventeenth century that spinning wheels were painted blurred: before then artists carefully delineated each spoke of a wheel. He also explores, through the work of artists such as Edgar Degas, Edvard Munch and the Italian Futurist Gino Severini, the far-reaching impact of early photography on painters' depiction of movement.
No two people see exactly the same picture, and looking at paintings, in itself, takes time. The book's final chapter is devoted to showing how people actually see images: how our eyes take in the information a painting presents, and how the same picture can be seen differently by different people. Telling Time is an accessible introduction to a theme that has preoccupied artists for centuries.
"Synopsis" may belong to another edition of this title.
Synopsis
"About the title" may belong to another edition of this title.
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