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Goff, G718; ISTC: ig00707500; Hain-Copinger 8324; BMC. VIII.122; GW 11861; Polain B1787; Oates 3078; IGI Fabritius, Bibl. Latina, ed. 1754, III/p. 139). S.T.C. French Books, p. 213. Us copies: Astrik L. Gabriel, Notre Dame IN, Boston Public, Bryn Mawr, Columbia, Huntington, Univ.of Chicago, Univ. of Wisconsin. |(also see my fascicule XIX, 2019: #1 for another copy of this edition now in private ownership). FIRST EDITION of the major work by William of Auxerre composed in around 1215-1229. In this commentary on Peter Lombard, William treats creation, natural law, the nature of man, a tripartite God, usury, end the Last Judgment, among other topics. He applies the critical reasoning of classical philosophy to that of scholastic philosophy. William was appointed by Pope Gregory IX in 1231 to head a committee charged with examining the recent translations from the Arabic of Aristotle for errors and "to be on their guard against a wrong use of philosophy and to remember that theology was a science whose principles were received by faith and were above the level of human reasoning" (Noonan; Tokos and Atokion: An Examination of Natural Law Reasoning against Usury and against Contraception 1961). William later became archdeacon of Beauvais before becoming a professor of theology at the university in Paris. William of Auxerre's Summa Aurea, contains an ample disquisition on usury and the natural law basis of economic matters. His Summa Aurea still shows a debt to Peter Lombard, yet it advances his ontological argument, furthermore it shows innovation and an intellectual awareness and insistence on the physical that had not been seen earlier. Noonan: (https://www.sfu.ca/~poitras/noonan_usury_57. The "Summa Aurea", is not, as it is sometimes described, a mere compendium of the "Books of Sentences" by Peter the Lombard. Written during the Re-discovery of the metaphysical works of Aristotle, this text both in method and in content it shows a considerable amount of originality, although, like all the Summę of the early thirteenth century, it is influenced by the manner and method of the Lombard. Yet it discusses many problems neglected by the Lombard and passes over others. It is divided into four books: The One and True God (bk. 1); creation, angels, and man (bk. 2); Christ and the virtues (bk. 3); Sacraments and the four last things (bk. 4). The Summa aurea had extraordinary influence and popularity following that of St. Bonaventure the teacher by whom William was most profoundly influenced was Praepositinus, or Prevostin, of Cremona, Chancellor of the University of Paris from 1206 to 1209. The names of teacher and pupil are mentioned in the same sentence by St. Thomas: Haec est opinio Praepositini et Autissiodorensis (in I Sent., XV, q. 11). William was, in turn, the teacher of the Dominican, John of Treviso, one of the first theologians of the Order of Preachers. The importance of the "Summa Aurea" is enhanced by the fact that it was one of the first Summę composed after the introduction of the metaphysical and physical treatises of Aristotle. William of Auxerre, is considered the first medieval writer to develop a systematic treatise on free will and the natural law. Probably a student of the Parisian canon and humanist Richard of St. Victor, William became a Master in theology and later an administrator at the University of Paris. After a long career at the university, he was commissioned in 1230 to serve as French envoy to Pope Gregory IX to advise Gregory on dissension at the university. William pleaded the cause of the students against the complaints of King Louis IX. In 1231 William was appointed by Gregory to a three-member council to censor the works of Aristotle included in the university curriculum to make them conform sufficiently to Christian teaching. Contrary to the papal legate Robert of Courēon and other conservatives, who in 1210 condemned Aristotle's Physics and Metaphysics as corruptive of Christian faith, William saw. Seller Inventory # 905
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Bibliographic Details
Title: Summa aurea in quattuor libros sententiarum ...
Publisher: Maxima Philippi Pigoucheti cura impensis vero Nicolai vaultier et Durandi gerlier alme vniuersitatis Parisiensis librariorum iuratorum, Paris
Publication Date: 1500
Binding: Hardcover
Illustrator: Large woodcut device (Davies 82) on title, Durand Gerlier's woodcut device (Davies 119) within 4-part border at end. Gothic types, double column. There are old manuscript marginalia. Each chapter begins with an Illuminated initial with leaves
Dust Jacket Condition: Dust Jacket Included
Edition: 1st Edition
