Schubert the Progressive: History, Performance Practice, Analysis
Language: English
Published by Routledge, 2003
- First Edition
- Hardcover
- New
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New
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Add to basketItem description from seller
This title aims to clarify the agenda for Schubert research in the 21st century. The unresolved questions of performance practice are numerous and complicated - this text delves into the area, with input from a variety of sources. Editor(s): Newbould, Brian. Num Pages: 200 pages, Includes 16 b&w illustrations and 80 music examples. BIC Classification: AVA; AVGC5; AVH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 163 x 233 x 18. Weight in Grams: 492. . 2003. 1st Edition. hardcover. . . . .
Seller Inventory # V9780754603689
- Title
- Schubert the Progressive: History, Performance Practice, Analysis
- Publisher
- Routledge
- Publication year
- 2003
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0754603687
- ISBN 13
- 9780754603689
- Edition
- 1st Edition
The eleven essays that comprise this volume represent some of the most significant strands of current Schubert research. Arising from an international conference organized by the Schubert Institute (UK) and the University of Leeds in 2000, the emphasis of the papers is on issues of performance practice, analysis and hermeneutics.
In the opening essay of the book, Charles Rosen illuminates some of Schubert's compositional practices and their implications for performers. Further performance problems are explored by Walther Dürr who highlights the paradox between Schubert's precise notation of pitches and rhythm and his imprecision in relation to dynamics and articulation. As Roy Howat makes clear in his essay, the performer needs to read between the lines of even the best Schubert editions.
Aspects of Schubert's style are explored in other essays. Clive McClelland discusses the composer's use of ombra style, while Brian Newbould examines Schubert's techniques of compression and expansion as illustrated in his dances and in sonata movements. Robert Hatten explores the G major Piano Sonata as pastoral, and James Sobaskie and Nicholas Rast provide complementary analyses of the A minor Quartet.
The organization of musical time in Schubert and his relationship in this regard to later composers is the subject of Susanne Kogler's essay, while Walburga Litschauer discusses Schubert's early piano sonatas and previously unknown versions of them. Various enigmas surrounding Schubert's life and music are discussed by Roger Neighbour.
With contributions from both internationally acclaimed and younger scholars, this volume represents a further step in the multifaceted direction that Schubert research is taking.
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"About the title" may belong to another edition of this title.
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