THE SIXTIES.

Avedon, Richard. (Photographs) Arbus, Doon. (Text)

ISBN 10: 0224042033 / ISBN 13: 9780224042031

Published by RANDOM HOUSE., NY, 1999

About this Item

Fine in near fine dust jacket. (1/4"-inch closed tear at head of rear pabel of dust jacket. ) Wonderful eye-popping design. (B).

Seller Inventory # 308802

Bibliographic Details

• Title: THE SIXTIES.
• Publisher: RANDOM HOUSE., NY
• Publication Date: 1999
• ISBN 10: 0224042033
• ISBN 13: 9780224042031
• Binding: Hardcover
• Edition: First Edition.
• Condition: Fine
• Dust Jacket Condition: Dust Jacket Included
• Seller catalogs:
  • List200

About this title

Synopsis

This work offers a portrait of the sixties by photographer, Richard Avedon. In addition to the photographs of those who characterized the era, there are fifty interviews including Dr Spock and Janis Joplin. Portraits include The Beatles, Norman Mailer, Truman Capote and American Nazi Party.

Review

The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue and The New Yorker magazines since the early 1950s, was prolific during the 60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, anti-war activists and more, all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. And snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope and empowerment many people experienced during that era. Brief biographies of the portrait sitters and a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973 provide excellent context for the images. The Sixties is riveting. --A.C. Smith