The Routledge Companion to Music and Visual Culture
Shephard Tim and Leonard Anne Everton
Language: English
Published by Routledge, New York, 2014
- First Edition
- Hardcover
- Used
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- Title
- The Routledge Companion to Music and Visual Culture
- Author
- Shephard Tim and Leonard Anne Everton
- Publisher
- Routledge, New York
- Publication year
- 2014
- Condition
- Good
- Dust jacket
- No Jacket
- Binding
- Hard Cover
- Language
- English
- ISBN 10
- 041562925X
- ISBN 13
- 9780415629256
- Edition
- First Thus.
- Series
- Book 1 of 32: Routledge Music Companions
- Seller catalogs
- Music
As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts:
- Starting Points
- Methodologies
- Reciprocation – the musical in visual culture and the visual in musical culture
- Convergence –in metaphor, in conception, and in practice
- Hybrid Arts
This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.
"Synopsis" may belong to another edition of this title.
About the Author
Tim Shephard is a lecturer in Musicology at the University of Sheffield, and also a Visiting Research Fellow at the Centre for Music, Gender and Identity, University of Huddersfield. His research concerns music, identity, and visual culture at the courts of Renaissance Italy, and has appeared in several journals.
Anne Leonard is a curator at the Smart Museum of Art and lecturer in the Department of Art History, University of Chicago. Her research on musical aspects of nineteenth-century art has appeared in articles, conference papers, and an exhibition catalogue, Looking and Listening in Nineteenth-Century France (2007).
"About the title" may belong to another edition of this title.
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