Realms of Memory: The Construction of the French Past-Volume 1.Conflicts &
Language: English
Published by Columbia University Press, 1996
Series: Book 103 of 103 - European Perspectives: A Series in Social Thought and Cultural Criticism
- First Edition
- Hardcover
- Used
Seller: zenosbooks, San Francisco, CA, U.S.A.zenosbooks
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Condition: Used
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New York. 1996. Columbia University Press. 1st American Edition. Very Good in Slightly Worn Dustjacket. 0231084048. English Language EditionEdited & With A Foreword by Lawrence D. Kritzman. Translated by Arthur Goldhammer. 651 pages. hardcover. keywords: French History. DESCRIPTION - REALMS OF MEMORY is a monumental collective endeavor by France's leading intellectuals, exploring the cathedrals and palaces, the rituals, legends, and episodes that form the landscape of French consciousness. The first volume, Conflicts and Divisions, reflects on symbols of political, religious, regional, and generational difference that structure France's self-definition. The book begins with the political clashes that have carved a path through French history and memory, between Franks and Gauls, French and foreigners, Vichy and all other regimes. Contributors explore shifting conceptions of political meaning over centuries, from the often irreverent portrayals of Gauls in such popular media as the Asterix comics to nostalgic reimaginings of pre-revolutionary France by modern ultranationalists. A second section analyzes sites and events of the religious conflicts that underlie French identity. The authors chronicle the manufacture of remembrance, as seen in the Protestant festivals held each September to commemorate the persecution of Huguenots in the sixteenth-century Wars of Religion; and of the processes of forgetting, witnessed in the assimilative tradition among French Jews that has hindered, if not prevented, rediscovery of a distinctively Jewish past and acknowledgments of the French legacy of anti-Semitism. Conflicts and Divisions concludes with a section on issues of time and place, and analysis of the cleavages that separate Paris and province, north and south, and human generations as demarcated by such transformative years as 1789 and 1968. inventory #23073 Very Good in Slightly Worn Dustjacket.…
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- Title
- Realms of Memory: The Construction of the French Past-Volume 1.Conflicts &
- Author
- Nora, Pierre (director)
- Publisher
- Columbia University Press
- Publication year
- 1996
- Dust jacket
- Good
- Binding
- hardcover
- Language
- English
- ISBN 10
- 0231084048
- ISBN 13
- 9780231084048
- Edition
- First Edition.
- Series
- Book 103 of 103: European Perspectives: A Series in Social Thought and Cultural Criticism
Archives, monuments, celebrations: there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history.
A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation."
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