The Painted Page: Italian Renaissance Book Illumination, 1450-1550

Alexander, Jonathan J. G. (James Graham) (Edited by);

ISBN 10: 3791313851 / ISBN 13: 9783791313856

Published by Prestel, Munich and New York, 1994

About this Item

Cloth, 272 pages, illustrations (chiefly colour); 31 cm. Published on the occasion of the exhibition held at the Royal Academy of Arts, London, 27 October 1994 to 22 January 1995; and The Pierpont Morgan Library, New York, 15 February to 7 May 1995. Near fine. Firm binding, clean inside copy. Age toning, top edge lightly soiled. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This book documents the first comprehensive exhibition of Italian Renaissance illuminations from collections in Europe and the United States. In the century between 1450 and 1550, Italian miniaturists, in collaboration with scribes and bookbinders, produced a series of masterpieces of book illumination which are still too little known and appreciated. Though working on a smaller scale than the great painters and sculptors of the Renaissance, these illuminators created works characterized by unrivaled standards of quality in materials (including frequent use of gold) and design, and by imaginative symbolism and breathtaking creativity. 137 manuscripts, printed books with hand-painted illustrations and single pages are illustrated in full color, ranging from small prayer books to large choir books, and from Greek, Roman, and Italian literature to collections of fables and historical treatises. Many of these volumes were commissioned by powerful wealthy, and discriminating patrons who included members of the ruling Italian families as well as cardinals and popes and many of whom were also prominent bibliophiles. Among other fascinating issues, the mechanics of patronage, patterns of production, and formation of libraries are discussed in three essays and in the catalogue entries - the latter divided into eight thematic sections - written by noted specialists in the history of Renaissance manuscripts and books. And, of course, we are introduced to the artists themselves - their working habits, characteristic styles, and interrelationships." - Publisher. *** CONTENTS: Patrons, libraries and illuminators in the Italian Renaissance, by Jonathan J.G. Alexander; The Italian Renaissance miniature, by Giordana Mariani Canova; The hand-illumination of printed books in Italy 1465-1515, by Lilian Armstrong; Catalogue. Liturgical and biblical manuscripts; Renaissance patrons and libraries; Classical and humanist texts; 'All'antica'; The hand-illuminated printed book; Illuminators and their methods of work; Choir books; The sixteenth century; Glossary. Size: 4to.

Seller Inventory # 102986

Bibliographic Details

• Title: The Painted Page: Italian Renaissance Book Illumination, 1450-1550
• Publisher: Prestel, Munich and New York
• Publication Date: 1994
• Language: English
• ISBN 10: 3791313851
• ISBN 13: 9783791313856
• Binding: Hardcover
• Edition: 1st.
• Condition: Near Fine
• Dust Jacket Condition: Fine
• Seller catalogs:
  • Genre & Subject::Religious::Christian
  • European::4. Renaissance
  • European::Italian
  • Media::Manuscripts, Illuminations, Books
  • XXXL: Jumbo
  • XXX::COLLECTIBLES

About this title

Synopsis

This book documents the first comprehensive exhibition of Italian Renaissance illuminations from collections in Europe and the United States. In the century between 1450 and 1550, Italian miniaturists, in collaboration with scribes and bookbinders, produced a series of masterpieces of book illumination which are still too little known and appreciated. Though working on a smaller scale than the great painters and sculptors of the Renaissance, these illuminators created works characterized by unrivaled standards of quality in materials (including frequent use of gold) and design, and by imaginative symbolism and breathtaking creativity.
137 manuscripts, printed books with hand-painted illustrations and single pages are illustrated in full color, ranging from small prayer books to large choir books, and from Greek, Roman, and Italian literature to collections of fables and historical treatises. Many of these volumes were commissioned by powerful wealthy, and discriminating patrons who included members of the ruling Italian families as well as cardinals and popes and many of whom were also prominent bibliophiles. Among other fascinating issues, the mechanics of patronage, patterns of production, and formation of libraries are discussed in three essays and in the catalogue entries - the latter divided into eight thematic sections - written by noted specialists in the history of Renaissance manuscripts and books. And, of course, we are introduced to the artists themselves - their working habits, characteristic styles, and interrelationships.