"Napoleon Bonaparte occupied a central place in the consciousness of many British writers of the Romantic period. In this first full-length study of Romantic writers' obsession with Napoleon, Simon Bainbridge focuses on the writings of Wordsworth, Coleridge, Southey, Byron and Hazlitt." Octavo: 259 p. with a frontispiece and 9 illustrations. Original black cloth binding, with gilt titles. Some occasional marginalia. The dust jacket is clean and bright.

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Bibliographic Details

Title

NAPOLEON AND ENGLISH ROMANTICISM

Publisher

Cambridge University Press, Cambridge

Publication Date

1995

Language

English

ISBN 10

0521473365

ISBN 13

9780521473361

Binding

Hardcover

Edition

First Edition.

Condition

Very good

Dust Jacket Condition

Very good

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Synopsis

Napoleon Bonaparte occupied a central place in the consciousness of many British writers of the Romantic period. He was a profound shaping influence on their thinking and writing, and a powerful symbolic and mythic figure whom they used to legitimize and discredit a wide range of political and aesthetic positions. In this first ever full-length study of Romantic writers' obsession with Napoleon, Simon Bainbridge focuses on the writings of the Lake poets Wordsworth, Coleridge and Southey, and of Byron and Hazlitt. Combining detailed analyses of specific texts with broader historical and theoretical approaches, and illustrating his argument with the visual evidence of contemporary cartoons, Bainbridge shows how Romantic writers constructed, appropriated, and contested different Napoleons as a crucial part of their sustained and partisan engagement in the political and cultural debates of the day.

From the Back Cover

Napoleon Bonaparte occupied a central place in the consciousness of many British writers of the Romantic period. He was a profound shaping influence on their thinking and writing, and a powerful symbolic and mythic figure whom they used to legitimize and discredit a wide range of political and aesthetic positions. In this first ever full-length study of Romantic writers' obsession with Napoleon, Simon Bainbridge focuses on the writings of the Lake poets Wordsworth, Coleridge and Southey, and of Byron and Hazlitt. Combining detailed analyses of specific texts with broader historical and theoretical approaches, and illustrating his argument with the visual evidence of contemporary cartoons, Bainbridge shows how Romantic writers constructed, appropriated and contested different Napoleons as a crucial part of their sustained and partisan engagement in the political and cultural debates of the day.

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