The Music Documentary: Acid Rock to Electropop (Routledge Music and Screen Media Series)
Language: English
Published by Routledge, 2013
- First Edition
- Hardcover
- New
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
AbeBooks seller since February 27, 2001
Condition: New
£ 213.63
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Add to basketItem description from seller
This title offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this essential genre of film-making. The book will be of interest to academics and students as well as film and documentary-makers, musicians and music promoters, and film and music enthusiasts. Editor(s): Halligan, Benjamin; Edgar, Robert; Fairclough-Isaacs, Kirsty. Num Pages: 264 pages, 3 black & white tables, 73 black & white halftones, 3 black & white line drawings. BIC Classification: APFR; AVGP. Category: (G) General (US: Trade). Dimension: 229 x 152 x 20. Weight in Grams: 498. . 2013. 1st Edition. hardcover. . . . .
Seller Inventory # V9780415528016
- Title
- The Music Documentary: Acid Rock to Electropop (Routledge Music and Screen Media Series)
- Publisher
- Routledge
- Publication year
- 2013
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0415528011
- ISBN 13
- 9780415528016
- Edition
- 1st Edition
- Series
- Book 6 of 16: Routledge Music and Screen Media
The Music Documentary offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this prominent genre of film-making. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artefact in documenting stars and icons, and musicians and their times – particularly for those figures whose fame was achieved posthumously.
In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights in their production and promotion, close studies of documentaries relating to favourite bands or performers, and approaches to questions of music documentary and form, from the celluloid to the digital age.
"Synopsis" may belong to another edition of this title.
About the Author
Robert Edgar is Head of the MA programmes in Film and Documentary at York St John University.
Kirsty Fairclough-Isaacs is Lecturer in Media and Performance in the School of Media, Music and Performance at the University of Salford.
Benjamin Halligan is the Director of Postgraduate Research Studies for the College of Arts and Social Sciences, University of Salford. Publications include Michael Reeves (2003) and Reverberations: The Philosophy, Aesthetics and Politics of Noise (2012).
"About the title" may belong to another edition of this title.
Kennys Bookshop and Art Galleries Ltd.
Galway, GY, Ireland
AbeBooks seller since February 27, 2001
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