Milton's Complex Words: Essays on the Conceptual Structure of Paradise Lost. This item is unavailable.
Language: English
Published by Oxford University Press, 2018
- First Edition
- Hardcover
- New

Seller: Prior Books Ltd, Cheltenham, United KingdomPrior Books Ltd
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Hardcover
Condition: New
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Item description from seller
Dark blue hardback in new condition: firm and square with bright gilt lettering. Complete with original dustjacket, neat and sharp, not showing any scuffs, tears or chips. Contents crisp, tight and clean; no pen-marks. Not from a library so no such stamps or labels. Looks and feels unread. Thus a very nice copy.
Seller Inventory # 133094
- Title
- Milton's Complex Words: Essays on the Conceptual Structure of Paradise Lost
- Author
- Hammond, Paul
- Publisher
- Oxford University Press
- Publication year
- 2018
- Condition
- New
- Dust jacket
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0198810113
- ISBN 13
- 9780198810117
- Edition
- First Edition.
- Item weight
- 32 ounces
- Dimensions
- 9x1x6
- Seller catalogs
- Literature, Fiction, Poetry
Every major poet or philosopher develops their own distinctive semantic field around those terms which matter most to them, or which contribute most profoundly to the imagined world of a particular work. This book explores the specific meanings which Milton develops around key words in Paradise Lost.
Some of these are theological or philosophical terms (e.g. 'evil', 'grace', 'reason'); others are words which shape the imagined world of the poem (e.g. 'dark', 'fall', 'within'); yet others are small words or even prefixes which subtly move the argument in new directions (e.g. 'if', 'not', 're-'). Milton seems to expect his readers to be alert to the special semantic field which he creates around such words, often by infusing them with biblical and literary connotations, and activating their etymological roots; alert also to the patterns created by the repetitions of such words, and particularly to their diverse use (and often their blatant misuse) by different characters. To understand the migrations and malleability of key words is part of the education of Milton's reader.
Some of these are theological or philosophical terms (e.g. 'evil', 'grace', 'reason'); others are words which shape the imagined world of the poem (e.g. 'dark', 'fall', 'within'); yet others are small words or even prefixes which subtly move the argument in new directions (e.g. 'if', 'not', 're-'). Milton seems to expect his readers to be alert to the special semantic field which he creates around such words, often by infusing them with biblical and literary connotations, and activating their etymological roots; alert also to the patterns created by the repetitions of such words, and particularly to their diverse use (and often their blatant misuse) by different characters. To understand the migrations and malleability of key words is part of the education of Milton's reader.
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About the Author
Paul Hammond was educated at Peter Symonds' School, Winchester, and Trinity College, Cambridge, where he was a Prize Fellow in English. He is currently Professor of Seventeenth-Century English Literature at the University of Leeds. He was elected a Fellow of the British Academy in 2002.
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