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Aeon Bookstore, New York, NY, U.S.A.
Seller rating 5 out of 5 stars
AbeBooks Seller since 26 November 2020
Published on the occasion of an exhibition organized by INTAR in 1992. A scarce find. Excellent copy with very minimal handling wear. Very faint, small coffee stain to top right corner affecting only the front panel. Interior is clean and crisp. INTAR primarily showcases Latin American visual artists. The catalogue is described by the curator as a source of information about the pluralistic traditions of "our America.". Seller Inventory # ABE-1636828041160
Title: The Migrations of Meaning: A Source Book
Publisher: INTAR Gallery
Publication Date: 1992
Binding: Soft cover
Condition: Very Good
Edition: 1st Edition
Seller: Peter J. Hadley Bookseller BA, Ludlow, United Kingdom
Ownership Signature of Roger Cardinal with some Marginal Markings. Near Fine in publishers decorated wrappers. 68pp. Illustrated in colour throughout.Roger Cardinal was one of BritainÕs most distinguished art historians, best known for defining what is generally known as Outsider Art - that is, art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba, Canada, subsequently moving to Warwick University and finally to the University of Kent at Canterbury, where he taught for fifty years and held a professorship.Roger Cardinal was not only a leading authority on Outsider Art, but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent, percipient writings include several books on a wide range of subjects such as Outsider Art (1972), German Romantics in Context (1975) Figures of Reality (1981), Expressionism (1984), The Landscape Vision of Paul Nash (1989), The Cultures of Collecting (1994), and Kurt Schwitters (2011). He also acted as a curator and was a regular contributor to art-historical publications.CardinalÕs interest in art lay in its margins - the neurodiverse, psychotic, uneducated, autistic, self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly, it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Seller Inventory # PJH55549
Quantity: 1 available