159 pages; Ex-Library copy with usual identifiers. Stains to covers. Yellowing to pages. Foxing to the exterior edge of pages. Good overall condition otherwise. No other noteworthy defects. No markings on text pages.; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

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Bibliographic Details

Title: Legend, Myth and Magic in the Image of the Artist A Historical Experiment
Publisher: Yale Univ Press, New Haven, CT
Publication Date: 1979
Language: German
ISBN 10: 0300022050
ISBN 13: 9780300022056
Binding: Hardcover
Edition: 1st Edition (Unstated).
Condition: Good
Dust Jacket Condition: No Dust Jacket

About this title

Synopsis

"This is the first English translation of a brief, scholarly, and brilliantly original work which sets out to examine the links between the legend of the artist, in all cultures, and what E.H. Gombrich, in an introductory essay, calls 'certain invariant traits of the human psyche.'"-Denis Thomas, Journal of the Royal Society of Arts "This book gathers together various legends and attitudes about artists, ancient and modern, East and West, and gives fascinating insights into attitudes toward artistic creation. It impinges on psychology, art history and history, aesthetics, biography, myth and magic, and will be of great interest to a wide audience in many fields.... A delightful and unrivalled study."-Howard Hibbard "Thought provoking and valuable.... To all those interested in psychiatry and art from the perspectives of history, criticism, or therapy and to the wide audience concerned with the psychology of aesthetics and of artistic creation."-Albert Rothenberg, American Journal of Psychiatry Ernst Kris was a psychoanalyst who wrote on a wide variety of subjects, including art. Otto Kurz was librarian of the Warburg Institute in London.

From the Back Cover

'This book gathers together various legends and attitudes about artists, ancient and modern, East and West, and gives fascinating insights into attitudes toward artistic creation. It impinges on psychology, art history and history, aesthetics, biography, myth and magic, and will be of great interest to a wide audience in many fields....A delightful and unrivaled study.'-Howard Hibbard

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