Kazimir Malevich : The Climax of Disclosure
Language: English
Published by University of Chicago Press, Chicago, IL, U.S.A., 1991
- First Edition
- Hardcover
- Used
Seller: modern-ISM, Los Angeles, CA, U.S.A.modern-ISM
AbeBooks seller since July 1, 2002
Condition: Used - Fine
£ 19.19
Quantity: 1 available
Add to basketItem description from seller
A crisp, clean Fine copy with a trace of foxing to the top edges in a Fine mylar-protected dust jacket (front slightly rubbed and back has some rubbing and light scratches). A crisp, unread copy. 230 pp., profusely illustrated in color and B&W, extensive bibliography and index. The authors define the influences that shaped the dramatic shift in Malevich's oeuvre- from his early examination of Cezanne and his involvement in Futurist circles to his rejection of mimesis and to the final wprks following 1927.
Seller Inventory # 001730
- Title
- Kazimir Malevich : The Climax of Disclosure
- Author
- Crone, Rainer; Moos, David
- Publisher
- University of Chicago Press, Chicago, IL, U.S.A.
- Publication year
- 1991
- Condition
- Fine
- Dust jacket
- Fine
- Binding
- Original Cloth
- Language
- English
- ISBN 10
- 0226120937
- ISBN 13
- 9780226120935
- Edition
- First Edition
- Dimensions
- Large 4to
- Seller catalogs
- Art
realization of a nonrepresentational way of painting, which
he called Suprematism, stands as a seminal moment in
twentieth-century art. Rainer Crone and David Moos trace the
artist's development from his beginnings in the Ukraine to
his involvement with Futurist circles in Moscow through to
the late 1920s and beyond. They convincingly demonstrate
that Malevich's late representational painting, still widely
misunderstood, solidifies his extraordinarily inventive
stance.
Against the historical background of distinctly Russian
progressive cultural and scientific movements, the authors
define affinities between Malevich's work and other
nonpolitical revolutions: relativity and quantum theory in
physics; the work of Roman Jakobson and the "Prague School"
in linguistics; and the exploration of language in the
writings of the poet Velimir Khlebnikov. They situate the
artist within the fundamental epistemological shift from
nineteenth-century objectivity to an all-pervasive modernist
subjectivity, relying upon Malevich's contribution to
illustrate the ways cultural production is mediated through
various modes of transmission.
Rainer Crone holds the Chair for Twentieth Century Art
at Ludwig-Maximilians-Universitä ;t, Munich, and is adjunct
professor of art history at Columbia University. David
Moos is a doctoral candidate in art history at Columbia
University.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
modern-ISM
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