Imagining the Present: Context, Content, and the Role of the Critic (Critical Voices in Art, Theory and Culture)
Language: English
Published by Routledge, 2006
Series: Book 3 of 21 - Critical Voices in Art, Theory and Culture
- First Edition
- Hardcover
- New

Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
AbeBooks seller since February 27, 2001
Condition: New
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Add to basketItem description from seller
Bringing together 29 of Lawrence Alloway's essays in one volume, this collection provides useful perspectives on the art and visual culture of the second half of the 20th- century. The essays examine the context, content and role of the critic in art and visual culture. This book will be useful for art and visual culture students. Editor(s): Kalina, Richard. Series: Critical Voices in Art, Theory and Culture. Num Pages: 328 pages, 12 black & white halftones. BIC Classification: AB. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 23. Weight in Grams: 617. . 2006. 1st Edition. hardcover. . . . .
Seller Inventory # V9780415391467
- Title
- Imagining the Present: Context, Content, and the Role of the Critic (Critical Voices in Art, Theory and Culture)
- Author
- Kalina, Richard
- Publisher
- Routledge
- Publication year
- 2006
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0415391466
- ISBN 13
- 9780415391467
- Edition
- 1st Edition
- Series
- Book 3 of 21: Critical Voices in Art, Theory and Culture
Bringing together twenty-nine of Lawrence Alloway’s most influential essays in one volume, this fascinating collection provides valuable perspectives on the art and visual culture of the second half of the twentieth century.
Lawrence Alloway ranks among the most important critics of his time, and his contributions to the spirited and contentious dialogue of his era make for fascinating reading.
These twenty-nine provocative essays from 1956 to 1980 from the man who invented the term ‘pop art’ bring art, film, iconography, cybernetics and culture together for analysis and investigation, and do indeed examine the context, content and role of the critic in art and visual culture.
Featuring a critical commentary by Richard Kalina, and preface by series editor Saul Ostrow, Imagining the Present will be an enthralling read for all art and visual culture students.
"Synopsis" may belong to another edition of this title.
About the Author
Richard Kalina is a painter, critic, and Professor of Art at Fordham University in New York. He is a Contributing Editor at Art in America. He writes on Pop Art, Minimalism and Postminimalism, Conceptual Art, Abstract Expressionism, and issues relating to contemporary abstraction
"About the title" may belong to another edition of this title.
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