The Halberd at Red Cliff: Jian’an and the Three Kingdoms (Harvard-Yenching Institute Monograph Series)
Language: English
Published by Harvard University Asia Center, 2018
- First Edition
- Hardcover
- Used




Seller: Palimpsest Scholarly Books & Services, Brooktondale, NY, U.S.A.Palimpsest Scholarly Books & Services
AbeBooks seller since August 3, 2017
Condition: Used - As new
£ 38.91
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Add to basketItem description from seller
Harvard-Yenching Monograph series, 108. Volume, measuring approximately 6.5" x 9.5", is bound in black cloth, with stamped gilt lettering to spine. Previous owners' names are discreetly stamped in upper outside corner of front flyleaf. Book is otherwise like new, with similar dust jacket in mylar cover. xiv/454 pages.
Seller Inventory # ABE-1777909231396
- Title
- The Halberd at Red Cliff: Jian’an and the Three Kingdoms (Harvard-Yenching Institute Monograph Series)
- Author
- Xiaofei Tian
- Publisher
- Harvard University Asia Center
- Publication year
- 2018
- Condition
- As new
- Dust jacket
- As New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0674977033
- ISBN 13
- 9780674977037
- Edition
- 1st Edition
- Item weight
- 771 grams
- Dimensions
- 3.56 centimeters width by 15.24 centimeters height by 22.86 centimeters depth
The turn of the third century CE―known as the Jian’an era or Three Kingdoms period―holds double significance for the Chinese cultural tradition. Its writings laid the foundation of classical poetry and literary criticism. Its historical personages and events have also inspired works of poetry, fiction, drama, film, and art throughout Chinese history, including Internet fantasy literature today. There is a vast body of secondary literature on these two subjects individually, but very little on their interface.
The image of the Jian’an era, with its feasting, drinking, heroism, and literary panache, as well as intense male friendship, was to return time and again in the romanticized narrative of the Three Kingdoms. How did Jian’an bifurcate into two distinct nostalgias, one of which was the first paradigmatic embodiment of wen (literary graces, cultural patterning), and the other of wu (heroic martial virtue)? How did these largely segregated nostalgias negotiate with one another? And how is the predominantly male world of the Three Kingdoms appropriated by young women in contemporary China? The Halberd at Red Cliff investigates how these associations were closely related in their complex origins and then came to be divergent in their later metamorphoses.
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Palimpsest Scholarly Books & Services
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