Gilles Deleuze's Time Machine (Post-Contemporary Interventions)
Language: English
Published by Duke University Press, 1997
- First Edition
- Softcover
- Used
Seller: Palimpsest Scholarly Books & Services, Brooktondale, NY, U.S.A.Palimpsest Scholarly Books & Services
AbeBooks seller since August 3, 2017
Condition: Used - As new
£ 11.53
Quantity: 1 available
Add to basketItem description from seller
Softcover volume, measuring approximately 6" x 9.5", is like new. xviii/258. "Although Gilles Deleuze is one of France’s most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze’s work on film and images. Placing Deleuze’s two books on cinema—"The Movement-Image" and "The Time-Image"—in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze’s theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze’s writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze’s other books—including his influential work with Félix Guattari—Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.".…
Seller Inventory # ABE-1701908263307
- Title
- Gilles Deleuze's Time Machine (Post-Contemporary Interventions)
- Author
- D. N. Rodowick
- Publisher
- Duke University Press
- Publication year
- 1997
- Condition
- As New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0822319705
- ISBN 13
- 9780822319702
- Edition
- 1st Edition
- Series
- Book 39 of 94: Post-contemporary interventions
Rodowick illuminates the connections between Deleuze’s writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze’s other books—including his influential work with Félix Guattari—Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
"Synopsis" may belong to another edition of this title.
About the Author
D. N. Rodowick is Professor of English and Visual/Cultural Studies at the University of Rochester.
"About the title" may belong to another edition of this title.
Palimpsest Scholarly Books & Services
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AbeBooks seller since August 3, 2017
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