The Gate of Angels (First American Edition)
Penelope Fitzgerald
Sold by Dan Pope Books, West Hartford, CT, U.S.A.
AbeBooks Seller since 12 October 2002
Used - Hardcover
Condition: Used - Fine
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by Dan Pope Books, West Hartford, CT, U.S.A.
AbeBooks Seller since 12 October 2002
Condition: Used - Fine
Quantity: 1 available
Add to basketDoubleday, New York, 1991. First Edition. First printing. Correct number line, including the 1. A fine book in a fine dust jacket. A tight, clean copy, without any marks or defects. Dust jacket is clean and bright with price intact on front flap ($19.00). Comes with archival-quality dust jacket protector. Shipped in well padded box. Rear copies.
Seller Inventory # Fiction-Stacks-F-003
Daisy, however, suffers from a very non-Harlequin malady, the sort found only in Fitzgerald: "All her life she had been at a great disadvantage in finding it so much more easy to give than to take. Hating to see anyone in want, she would part without a thought with money or possessions, but she could accept only with the caution of a half-tamed animal." Self- protection is certainly not this young woman's strong suit, but we admire her endurance. At one moment, Fred points out that "women like to live on their imagination". Daisy's response? "It's all they can afford, most of them."
Set in Cambridge and London in 1912, The Gate of Angels is a love story and a novel of ideas. Fred, a rector's son, has abandoned religion for observable truths, whereas the undereducated Daisy is a Christian for whom the truth is entirely relative. The novel's strengths lie in what we have come to expect from Fitzgerald: a blend of the hilarious, the out-of-kilter, and the intellectually and emotionally provocative. She confronts her characters with chaos (theoretical and magical), women's suffrage and seemingly impossible choices, and we can by no means be assured of a happy outcome. "They looked at each other in despair, and now there seemed to be another law or regulation by which they were obliged to say to each other what they did not mean and to attack what they wished to defend."
Fitzgerald's novel also records the onslaught of the modern on traditions and beliefs it will fail to obliterate entirely: women as second-class citizens and a class-ridden society in which the poor suffer deep financial and moral humiliation. The author sees the present pleasures--Cambridge jousts in which debaters must argue not what they believe but its exact opposite--and is often charmed by them. But under the light surface, she proffers an elegant meditation on body and soul, science and imagination, choice and chance. Her characters, as ever, are originals, and even the minor players are memorable: one of Fred's fellows, the deeply incompetent Skippey, is "loved for his anxiety", because he makes others feel comparatively calm.
Fitzgerald fills all of her period novels with odd, charming, and disturbing facts and descriptions. Some, like the catalogue of killing medicines Daisy administers, are strictly researched and wittily conveyed: "Over-prescriptions brought drama to the patients' tedious day. Too much antimony made them faint, too much quinine caused buzzing in the ears, too much salicylic acid brought on delirium..." Others are the product of microscopic observation, that is, imagination. Fred's family home is in hyperfertile Blow Halt, a place where no one thinks to buy vegetables, so free are they for the taking. But within this paradise, his mother and sisters are sewing banners for women's suffrage, and nature launches a quiet threat: "Twigs snapped and dropped from above, sticky threads drifted across from nowhere, there seemed to be something like an assassination, on a small scale, taking place in the tranquil heart of summer."
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