A very good copy of the stated first hard cover edition in a like (not price-clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance. A sharp copy.

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Bibliographic Details

Title

The Frontiers of Meaning: Three Informal Lectures on Music [ Stated First Edition ]

Publisher

Hill and Wang, New York

Publication Date

1994

Language

English

ISBN 10

0809072548

ISBN 13

9780809072545

Binding

Hardcover

Edition

1st Edition

Condition

Very Good

Dust Jacket Condition

Very Good

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About this title

Synopsis

What does it mean to understand music? What, if anything, does music mean? Composers, performers, listeners, and scholars may answer these questions differently, but what sense of music do they share? When music seems unfamiliar or unlike anything we have heard before, we say we don't "like" it. How is taking pleasure from music related to understanding it?
In this lucid and entertaining book, the noted pianist Charles Rosen explores these and other issues as they arise in various musical contexts. Performers' interpretations may be filled with errors, after all, that then become part of a tradition; a composer's work may be variously assessed by his contemporaries (Mr. Rosen gives us an eye-opening account of how Beethoven's towering reputation was established so early); and musical analysis can mislead as well as deepen our understanding of a composition's splendor.
In The Frontiers of Meaning Charles Rosen brings to a bold, inspiring study of music - as text, as performance, as listening experience - the insight and bravura elegance for which his own work as a practicing musician is justly famous.

About the Author

Charles Rosen is a professor of music and social thought at the University of Chicago.

"About this title" may belong to another edition of this title.

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