Francisco Goya: A Life [FIRST EDITION, FIRST PRINTING]
Connell, Evan S.
Sold by Vero Beach Books, Vero Beach, FL, U.S.A.
AbeBooks Seller since 20 March 2019
Used - Hardcover
Condition: Used - As new
Quantity: 1 available
Add to basketSold by Vero Beach Books, Vero Beach, FL, U.S.A.
AbeBooks Seller since 20 March 2019
Condition: Used - As new
Quantity: 1 available
Add to basketAs new condition dark brown boards/black spine/gold spine lettering contained in an as new condition non price-clipped color illustrated dust jacket. Includes Dedication and Preliminary Page Quote by Jean-Francois Charbrun. " "Certain artists are like the onion, beneath each membrane another," writes Evan S. Connell, "if you continue peeling in hopes of catching him you end up with nothing in your hand." Francisco Goya lies layer under layer, but Connell has evoked this enigmatic artist as only a master storyteller could do. Goya was breakfast companion of the Queen and painter to the court, but his portrait of the royal family is so mercilessly unflattering that it's been wondered how he escaped strangulation. Yet his female saints and angels were beautiful, buxom majas - many thought them more suitable for brothels than churches. Goya was the portraitist of noble after silly, vain noble, and lover to the Duchess of Alba, the most desired woman of his age and one of the wealthiest - but his Spain was also one of blind beggars, cripples, cut-throats, lunatics, swaggering majos, flirtatious majas, dwarfs, bullfights, carnivals, massacres, and Inquisitors seeking the Devil. Much of it Goya saw through a glass darkly. This inscrutable artist is a brilliant choice of subject for Connell, whose literary histories and penetrating novels have place him among our greatest writers. With his famous wit, wry erudition and prodigious research, he brings to life an artist of unsurpassed imagination and his brutal times - Spain in the clutches of the Inquisition. Connell introduces a wealth of detail and a cast of comic and eccentric characters - dukes, duchesses, royalty, politicians and artists; as lewd and incorrigible a group as history has ever produced. As he charts the arc of Goya's career, Connell keeps pace with the tumultuous era and shrewdly sifts through two centuries of commentary on Goya's work, from Paul Claudel's dismay that Goya sought to avoid the eyes and the image of God, to Baudelaire's deadly accurate comment that he painted the black magic of our civilization. Goya's protean talent sent connoisseurs barking in various directions. He was a master whose image of Saturn bloodily devouring his son is as unforgettable as his peerless rendering of the gentle light caught in the white satin gown of a countess. Most critics agree that Goya changed Western art forever, although the nature of his influence has been widely interpreted. Edgar Degas, for one, lamented that because of Goya he was condemned to painting a housewife in her bathtub. Connell has marshaled the vast array of contradictory thoughts on Goya, and conjured the artist, his art, and his times with fierce originality and imagination. The result is an unforgettable portrait from a literary master." - from the inner front and rear jacket flap.
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