The first comprehensive monograph of this important artist. Gonzales-Torres combined principles of conceptual art, minimalism, political activism, and poetic beauty. His ever-changing arsenal included public billboards, give-away piles of candy or posters, and ordinary objects. This book is a critical reference for the history of contemporary art.
Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to "make this a better place for everyone." He combined principles of conceptual art, minimalism, political activism, and poetic beauty. His ever-changing arsenal included public billboards, give-away piles of candy or posters, and ordinary objects (clocks, mirrors, light fixtures) often used to startling effect. His work challenged the notions of public and private space, originality, authorship - and most significantly - the authoritative structure in which he functioned. Editor Julie Ault has amassed the first comprehensive monograph of this important artist. In the spirit of Gonzalez-Torres's method, Ault rethinks the very idea of what a monograph should be. The book, which places strong emphasis on the written word, contains newly commissioned texts by Robert Storr and Miwon Kwon among other notables, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence, and writings that influenced Gonzalez-Torres and his work.
Ample visual documentation adds another important layer of content. We see works not just in their finality, but often witness their transformation over a life span. The collection is a critical reference for the history of contemporary art.