Expanded Cinema (A Dutton Paperback Original, D263)
Gene Youngblood
Sold by Theoria Books, Andover, MA, U.S.A.
AbeBooks Seller since 12 June 2016
Used - Soft cover
Condition: Used - Near fine
Quantity: 1 available
Add to basketSold by Theoria Books, Andover, MA, U.S.A.
AbeBooks Seller since 12 June 2016
Condition: Used - Near fine
Quantity: 1 available
Add to basket432 pp. NO date on Title page; '1970' on CP. 12 glossy pages of color Plates between pp. 256-257. Following the List of Illustrations, Introduction and poem, "Inexorable Evolution and Human Ecology" by R. Buckminster Fuller, [pp.15-35;37-39], and Author Preface, Contents divided into 7 Parts: Part One: THE AUDIENCE AND THE MYTH OF ENTERTAINMENT [1] Radical Evolution and FutureSchock in the Paleocybernetic Age; [2] The Intermedia Network as Nature; [3] Popular Culture and the Noosphere; [4] Art, Entertainment, Entropy; [5] Retrospective Man and the Human Condition; [6] The Artist as Design Scientist; Part Two: SYNAESTHETIC CINEMA: THE END OF DRAMA [1] Global Closed Circuit: The Earth as Software; [2] Synaesthetic Synthesis: Simultaneous Perception of Harmonic Opposites; [3] Syncretism and Metamorphosis: Montage as Collage; [4] Evocation and Exposition: Toward Oceanic Consciousness; [5] Synaesthetics and Kinaesthetics: The Way of All Experience; [6] Mythopoeia: The End of Fiction; [7] Synaesthetics and Synergy; [8] Synaesthetic Cinema and Polymorphic Eroticism; [9] Synaesthetic Cinema and Extra-Objective Reality; [10] Image-Exchange and the Post-Mass Audience Age; Part Three: TOWARD COSMIC CONSCIOUSNESS [1] 2001: The New Nostalgia; [2] The Stargate Corridor; [3] The Cosmic Cinema of Jordan Belson; Part Four: CYBERNETIC CINEMA AND AND COMPUTER FILMS [1] The Technosphere Man/Machine Symbiosis; [2] The Human Bio-Computer and His Electronic Brainchild; [3] Hardware and Software; [4] The Aesthetic Machine; [5] Cybernetic Cinema; [6] Computer Films; Part Five: TELEVISION AS A CREATIVE MEDIUM [1] The Videosphere; [2] Cathode-Ray Tube Videotronics; [3] Synaesthetic Videotapes; [4] Videographic Cinema; [5] Closed-Circuit Television and Teledynamic Environments; Part Six: INTERMEDIA [1] The Artist as Ecologist; [2] World Expositions and Nonordinary Reality; [3] Cerebrum: Intermedia and the Human Sensorium; [4] Intermedia Theatre; [5] Multiple-Projection Environments; Part Seven: HOLOGRAPHIC CINEMA: A NEW WORLD [1] Wave-Front Reconstruction: Lenseless Photography; [2] Dr. Alex Jacobson: Holography in Motion; [3] Limitations of Holographic Cinema; [4] Projecting Holographic Movies; [5] The Kinoform: Computer-Generated Holographic Movies; [6] Technoanarchy: The Open Empire; Selected Bibliography, pp. 421-425; Index, pp. 427-432. FROM Amazon: "First published in 1970, Gene Youngblood?s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood?s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today?s hypermediated digital world. . . Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication." Lightly age-toned white wrappers with ' $4.95 ' price on front cover, illustrated with black, red, pink, blue course-grained movie frame as background for Title lettering in large, thin white lettering superimposed on an upward right slant on middle and upper middle front cover; 2" white band across top front cover; Author name in smaller white letters across bottom front cover. Lower right front cover corner has 1" soft crease mark [echoing], yet square, like other corners. Light pencil markings in text erased (slight visual evidence of pencil writing on inside front cover and ffep); index card with pasted book review laid in, once taped to ffep. Strong spine (NO cracks); thin line of rubbing across bottom spine; NO owner name. Clean text. The way to read a Classic work more than 50 years old.
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