Ensemble de documents sur Gabriel Revel
[Gabriel Revel]
Sold by Librairie Diona, Lattes, France
AbeBooks Seller since 8 April 2021
Used - Hardcover
Condition: Used - Fine
Ships from France to U.S.A.
Quantity: 1 available
Add to basketSold by Librairie Diona, Lattes, France
AbeBooks Seller since 8 April 2021
Condition: Used - Fine
Quantity: 1 available
Add to basketOn trouve 4 photographies originales de tabeaux de Revel ; Etude sur les Revel peintres (nouvelle revue du Lyonnais) ; les Revel peintres du XVII siècle - - - 4 numeros de cette même revue commentées a la plume par un érudit lyonnais Gabriel Revel, né à Château-Thierry le 10 mai 1643 et mort à Dijon le 9 juillet 1712, est un artiste peintre français. C'est au sein d'une famille de peintres-verriers que Gabriel Revel reçoit ses premiers rudiments artistiques avant de monter à Paris. Probablement sur recommandation de Jean de La Fontaine, originaire lui aussi de Château-Thierry,il saisit la chance de se former à Paris auprès de Charles Le Brun, dont il devient l'un des collaborateurs dévoués sur les chantiers royaux des années 1670 et 1680. On le retrouve rapidement auprès de François Verdier, Claude Audran II et François Bonnemer avec lesquels il participe aux décors du navire de Louis XIV, le Soleil-Royal. Après un voyage à Dijon en 1676, ville qu'il a peut-être fréquentée en faisant le voyage à Rome, il revient à Paris où il baptise, en 1677, une petite fille qu'il avait eu avec Jeanne Boudon, sa femme. Elle lui donnera aussi deux fils. Bientôt spécialiste de portraits, il fut reçu à ce titre à l'Académie royale le 31 janvier 1682 pour ses deux morceaux de réceptions : les portraits du sculpteur Girardon et de Michel Anguier. Bien que recevant ses premières commandes dans la capitale, l'artiste garde de profondes relations avec la ville de Dijon, puisqu'en 1688, il peint le plafond de la Chambre des requêtes du Parlement de Bourgogne avec une Allégorie de la Justice. Il s'installe définitivement en 1692, après la mort Le Brun. Il y importe un style académique classicisant déjà quelque peu dépassé à Paris et Versailles, mais très apprécié par les élites locales, qui souhaitent se montrer réceptives au « Grand Goût » développé sous le Grand Roi. Il y produit de nombreuses oeuvres, tant d'histoire que de portraits. Dominique Brême a recensé près de cent tableaux signés par Gabriel Revel.
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