Duchamp in Context: Science and Technology in the Large Glass and Related Works
Language: English
Published by Princeton University Press, U.S.A., 2005
- First Edition
- Softcover
- Used
Seller: David's Bookshop, Letchworth BA, Letchworth Garden City, HERTS, United KingdomDavid's Bookshop, Letchworth BA
AbeBooks seller since September 10, 2002
Condition: Used - Very good
£ 120.00
Quantity: 1 available
Add to basketItem description from seller
Grey illustrated card covers, clean, minimal external shelf wear. No inscriptions or markings with clean, clear pages, a slight curve to the bottom corner of the back pages and card cover. A lightly handled, well preserved book. May incur additional postage charges overseas.
Seller Inventory # 035549
- Title
- Duchamp in Context: Science and Technology in the Large Glass and Related Works
- Author
- Henderson, Linda Dalrymple
- Publisher
- Princeton University Press, U.S.A.
- Publication year
- 2005
- Condition
- Very Good
- Dust jacket
- No Jacket
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0691123861
- ISBN 13
- 9780691123868
- Edition
- 1st Edition
- Dimensions
- 4to - over 9¾ - 12" tall
- Seller catalogs
- Art
Between 1915 and 1923, Marcel Duchamp created one of the most mystifying art works of the early twentieth century: The Bride Stripped Bare by Her Bachelors, Even (also known as the Large Glass). The work is over nine feet tall, and on its glass surface Duchamp used such unorthodox materials as lead wire, lead foil, mirror silver, and dust, in addition to more conventional oil paint and varnish. Duchamp's declared subject is the relation between the sexes, but his protagonists are biomechanical creatures: a "Bride" in the upper panel hovers over a "Bachelor Apparatus" in the panel below, stimulating the "Bachelors" with "love gasoline" for an "electrical stripping."
In preparation for the Large Glass, Duchamp wrote hundreds of notes, which he considered just as important as the work itself. He published 178 during his lifetime, but over 100 more notes relating to the Glass were discovered and published following his death. In this landmark book, Linda Henderson provides the first systematic study of the Large Glass in relation to the entire corpus of Duchamp's notes for the project. Since Duchamp declared his interest in creating a "Playful Physics," she focuses on the scientific and technological themes that pervade the notes and the imagery of the Large Glass. In doing so, Henderson provides an unprecedented history of science as popularly known at the turn of the century, centered on late Victorian physics. In addition to electromagnetic waves, including X-rays and the Hertzian waves of wireless telegraphy, the areas of science to which Duchamp responded so creatively ranged from chemistry and classical mechanics to thermodynamics, Brownian movement, radioactivity, and atomic theory. Restored to its context and amplified by the information in the posthumously published notes, the Large Glass appears far richer and more multifaceted and witty than had ever been suspected.
Henderson also includes a close examination of Duchamp's literary and artistic models for creative invention based on science, including Alfred Jarry, Raymond Roussel, Frantisek Kupka, and Guillaume Apollinaire. The book will not only redefine scholarship on Duchamp and the Large Glass, but will be a crucial resource for historians of literature, science, and modernism.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
David's Bookshop, Letchworth BA
Letchworth Garden City, HERTS, United Kingdom
AbeBooks seller since September 10, 2002
Shipping rates from United Kingdom to U.S.A.
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Established in 1963, new, secondhand & bargain books on 2 floors. Also separate music (new & secondhand cds, vinyl & sheet music) & gift/card shops.
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Wallace Books Ltd
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