Decorative arts from the Middle Ages to Renaissance = : Angewandte Kunst vom Mittelalter bis zur Renaissance = Arts de?coratifs du Moyen Age a? la Renaissance / Carl Becker ; ed. by/Hrsg. von/publ. sous la dir. de Carsten-Peter Warncke
Language: English
Published by Ko?ln : Taschen cop, 2011
- First Edition
- Hardcover
- Used
Condition: Used
£ 166.63
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Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description : 408 p. : ill. ; 45 cm. Subjects : Art, Medieval ; Catalogs. Art History. Large Art Books. Middle Ages ; Art. Medieval Art. Renaissance Art. European Art. European Applied Art. Furniture ; Art. Jewellery ; Art. Tapestries. Metalwork. Bookbinding. 19th Century ; Art. Other names : Warncke, Carsten-Peter 1 Kg.
Seller Inventory # 379419
- Title
- Decorative arts from the Middle Ages to Renaissance = : Angewandte Kunst vom Mittelalter bis zur Renaissance = Arts de?coratifs du Moyen Age a? la Renaissance / Carl Becker ; ed. by/Hrsg. von/publ. sous la dir. de Carsten-Peter Warncke
- Author
- Becker, Carl (1794-1859)
- Publisher
- Ko?ln : Taschen cop
- Publication year
- 2011
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 3836505185
- ISBN 13
- 9783836505185
- Edition
- First Edition.
- Item weight
- 1 kilogram
The editor Jakob Heinrich von Hefner-Alteneck (1811-1903) was head of the Royal Cabinet of Prints and Drawings in Munich and later director of the Bavarian National Museum. His work helped influence the creation of new museums of art and design the South Kensington Museum in London (today the Victoria and Albert Museum), founded in 1852, being the very first in which artists could study the hand-crafted masterpieces of earlier epochs.
Although the co-editor Carl Becker (1794-1859) commissioned various artists to make drawings of the historical originals forKunstwerke und Geräthschaften, the signatures on the plates show that most of the illustrations stem from the hand of artist Jakob Heinrich von Hefner-Alteneck and he can therefore be considered as the works main draughtsman; considering that Becker died before the completion of the work, the most influential figure behind it was undoubtedly Hefner-Alteneck. Before his collaboration with Becker, Hefner-Alteneck had previously publishedTrachten des christlichen Mittelalters (Costumes of the Christian Middle Ages).
With their publication, Jakob Heinrich von Hefner-Alteneck and Carl Becker gave expression to the 19th centurys revived interest in the art of the Middle Ages and the Renaissance. By selecting masterpieces from public and private collections, and reproducing them faithfully in pictures, they created a document of artistic quality in itself, which also provides evidence of works which have since been lost.
With this new edition, which includes a commentary, TASCHEN is making an important publication accessible once more, giving a glimpse of the treasure chambers of the Middle Ages and the Renaissance.This complete reprint was created on the basis of an original copy in the Württembergische Landesbibliothek in Stuttgart.
"Synopsis" may belong to another edition of this title.
About the Author
Author:
Carsten-Peter Warncke studied art history, classical archaeology, and literature in Vienna, Heidelberg, and Hamburg, and received his doctorate from the latter in 1975. He is professor of art history at the University of Göttingen.
"About the title" may belong to another edition of this title.
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