Critical Approaches to Comics: Theories and Methods
Sold by Reclaimed Bookstore, Richmond, VA, U.S.A.
AbeBooks Seller since 7 June 2022
Used - Soft cover
Condition: Used
Quantity: 1 available
Add to basketSold by Reclaimed Bookstore, Richmond, VA, U.S.A.
AbeBooks Seller since 7 June 2022
Condition: Used
Quantity: 1 available
Add to basketFirst Edition in Very Good Condition. Pages and pictures are clean, crisp, and bright. Binding is tight. Overall a very good first edition!
Seller Inventory # 91990
Critical Approaches to Comics offers students a deeper understanding of the artistic and cultural significance of comic books and graphic novels by introducing key theories and critical methods for analyzing comics. Each chapter explains and then demonstrates a critical method or approach, which students can then apply to interrogate and critique the meanings and forms of comic books, graphic novels, and other sequential art. The authors introduce a wide range of critical perspectives on comics, including fandom, genre, intertextuality, adaptation, gender, narrative, formalism, visual culture, and much more.
As the first comprehensive introduction to critical methods for studying comics, Critical Approaches to Comics is the ideal textbook for a variety of courses in comics studies.
Contributors: Henry Jenkins, David Berona, Joseph Witek, Randy Duncan, Marc Singer, Pascal Lefevre, Andrei Molotiu, Jeff McLaughlin, Amy Kiste Nyberg, Christopher Murray, Mark Rogers, Ian Gordon, Stanford Carpenter, Matthew J. Smith, Brad J. Ricca, Peter Coogan, Leonard Rifas, Jennifer K. Stuller, Ana Merino, Mel Gibson, Jeffrey A. Brown, Brian Swafford
Matthew J. Smith is Professor of Communication at Wittenberg University. He regularly teaches "Graphic Storytelling" and leads an annual field study at Comic-Con International. Recent books include The Power of Comics: History, Form and Culture (with Randy Duncan) and Online Communication: Linking Technology, Culture, and Identity (with Andrew F. Wood).
Randy Duncan is Professor of Communication at Henderson State University. He is co-author of The Power of Comics: History, Form and Culture (with Matthew J. Smith). Duncan is a co-founder (with Peter Coogan) of the Comics Arts Conference, and serves on the Editorial Board of the International Journal of Comic Art and the Board of Directors of the Institute for Comics Studies. He was recently presented the Inkpot Award for Achievement in Comic Arts during the Pioneers of Comics Scholarship panel at Comic-Con International in San Diego.
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