Composing for the Red Screen: Prokofiev and Soviet Film
Language: English
Published by Oxford University Press, New York, 2013
- First Edition
- Hardcover
- Used
Seller: THE PRINTED GARDEN, ABA, MPIBA, SANDY, UT, U.S.A.THE PRINTED GARDEN, ABA, MPIBA
AbeBooks seller since January 6, 2016
Condition: Used - Very good
£ 19.46
Quantity: 1 available
Add to basketItem description from seller
Octavo. Bright red boards and spine with shiny gilt lettering on the spine. Book has a light bumping at the head and tail of the spine. White endpapers. Book might have been NF grade, but the binding is slightly stretched at the title page, as if someone held the book down on a photocopyer. Binding still straight and tight. Pages are clean, white, and crisp. 228 pages. Dust Jacket - has a faint wrinkle at the head of the spine - mostly visible when the book is held at a certain angle - and a nearly unnoticable trace of rubbing at the extreme tip of the upper front outside corner - jacket otherwise sharp. Nice copy. Not terribly common.
Seller Inventory # 011089
- Title
- Composing for the Red Screen: Prokofiev and Soviet Film
- Author
- Bartig, Kevin
- Publisher
- Oxford University Press, New York
- Publication year
- 2013
- Condition
- VG+
- Dust jacket
- NF
- Binding
- Hard Cover
- Language
- English
- ISBN 10
- 0199967598
- ISBN 13
- 9780199967599
- Edition
- First Edition, First Printing.
- Series
- Book 4 of 32: Oxford Music/Media
- Seller catalogs
- Music & Musicians
Bartig examines how Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. Looking at Prokofiev's film music as a whole--with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects--reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
THE PRINTED GARDEN, ABA, MPIBA
SANDY, UT, U.S.A.
AbeBooks seller since January 6, 2016
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