Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. Although gifted with a superbly logical brain, Christopher is autistic. Everyday interactions and admonishments have little meaning for him. Routine, order and predictability shelter him from the messy, wider world. Then, at fifteen, Christopher's carefully constructed world falls apart when he finds his neighbor's dog, Wellington, impaled on a garden fork, and he is initially blamed for the killing.
Christopher decides that he will track down the real killer and turns to his favorite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents' marriage. As he tries to deal with the crisis within his own family, we are drawn into the workings of Christopher's mind.
And herein lies the key to the brilliance of Mark Haddon's choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotion. The effect is dazzling, making for a novel that is deeply funny, poignant, and fascinating in its portrayal of a person whose curse and blessing is a mind that perceives the world literally
. The Curious Incident of the Dog in the Night-Time is one of the freshest debuts in years: a comedy, a heartbreaker, a mystery story, a novel of exceptional literary merit that is great fun to read.
The title
The Curious Incident of the Dog in the Night-time (or
the curious incident of the dog in the night-time as it appears within the book) is an appropriate one for Mark Haddon's ingenious novel both because of its reference to that most obsessive and fact-obsessed of detectives, Sherlock Holmes, and because its lower-case letters indicate something important about its narrator.
Christopher is an intelligent youth who lives in the functional hinterland of autism--every day is an investigation for him because of all the aspects of human life that he does not quite get. When the dog next door is killed with a garden fork, Christopher becomes quietly persistent in his desire to find out what has happened and tugs away at the world around him until a lot of secrets unravel messily.
Haddon makes an intelligent stab at how it feels to, for example, not know how to read the faces of the people around you, to be perpetually spooked by certain colours and certain levels of noise, to hate being touched to the point of violent reaction. Life is difficult for the difficult and prickly Christopher in ways that he only partly understands; this avoids most of the obvious pitfalls of novels about disability because it demands that we respect--perhaps admire--him rather than pity him. --Roz Kaveney